Outward Bound is one of Tor's Jupiter series of young adult science fiction novels. These are trumpeted as an attempt to recreate some of the spirit of Robert Heinlein's famous "juveniles". In particular, they have mostly been set in the solar system, and have featured fairly realistic space exploration technology, and teen age protagonists. In these ways they resemble much of Heinlein's work. But too close attention to the model can result in a pale imitation instead of something special and new, and I fear that Outward Bound isn't new enough; or different enough.
The protagonist of the novel is Linc Marani. Linc is 15 or so as the book opens. He gets into a bit of criminal trouble, and gets offered an alternative to prison: a special new program.
The rest of the book details the steps of this program. They are pretty much what you might expect: a touch of discipline, learning about unsuspected skills (naturally including leadership), and learning about responsibility, for his own life and for others. The other main characters are a typical set: the sidekick, the girlfriend, the rival who does Linc wrong but isn't without ability, the weaker rival who Linc turns to his side. Linc progresses through the program, overcoming several obstacles: his problems with the bullying rival, resolved first by violence, subsequently by earning his respect; learning a cherished skill and facing disappointment when he learns he might not be good enough to do make a career of his skill; and finally a return to his home, where he learns that his problems on Earth just aren't important anymore.
Hogan is a good storyteller, and the book was enjoyable to read. But nowhere was I surprised: the whole thing unreeled exactly as I expected from the onset, with perhaps one minor twist. The characters held my attention, but they were all from Central Casting. The message was a bit understated, perhaps even too much so. While it was a relief to avoid the heavyhanded political screed of, say, the earlier Jupiter novel Higher Education (by Pournelle and Sheffield), and while the general point (that accepting responsibility for self and others is a good thing) is a fair enough message; once again there wasn't a compelling enough theme to really demand attention. When Heinlein got on his soapbox, as in Starship Troopers, he could be annoying. He could invite argument and disagreement, or full-throated praise, depending on your viewpoint or mood. But he definitely held your interest. Hogan here doesn't really hold the interest with his theme, or his plot; and the characters and storytelling voice are interesting enough to make the book an OK read, but not to make it memorable.