Apart from the occasional flourish by guitarist Geordie, this was more of a Jaz Coleman solo album than a Killing Joke one. Without the input from the rhythm section that had featured on the previous three Joke albums, Jaz was given free rein to indulge his more bombastic and pretentious side. The result is an overblown, pompous mess, made worse by very dated production. In the place of Paul Raven's simple but hypnotic bass playing, there's the kind of funk bass that would have sounded at home on a Level 42 record. The keyboards have changed from the odd analogue drones and strings of albums like Night Time to the cheesy sounds used by late 80s pop bands. The songs have little coherence, and appear to be little more than Jaz showing off that he knows the odd scale or two. Basically, avoid this album like the plague unless you're a Joke completist or the type who likes really naff, late 80s pop music. Instead, check out the previous two albums (Night Time and Brighter Than A Thousand Suns) to see what this album could have been. Then check out Killing Joke's earlier, spikier albums, before moving onto their later stuff that took the aggression of their early material to a whole new level.