This album has never received the attention it deserved - even from fans of Bowie's other work. By some distance it's his strongest album since Scary Monsters, and it bears comparison with career heights like Heroes and Low. The secret of its success is his absolute commitment to doing what he wants, however strange and inaccessible - as the spoken interludes, which arguably contribute valuably to the album's atmosphere, indicate more clearly than anything else. This risk-taking approach has always characterised his best work. It helps him to succeed in creating an intensity of mood that has eluded him on other recent albums. There are many fine individual tracks, 'Thru these archiects' eyes' perhaps being the most stunning, possessing that strange unidentifiable power that marks out his greatest songs.