I do not find Stephen Davies's children's novel of 2011 OUTLAW easy to evaluate. But the more I read it, the less I like.
So let me do a bit of analysis and evaluation of five elements of OUTLAW: plot ... violence ... .. moral or message(s) ... frame and structure ... characters: Kirsty, Friends of the Poor.
I. THE PLOT
Two teen-age siblings are kidnapped and driven into the desert. They are the two children of the British Ambassador to Burkina Faso (the French called it Upper Volta when it was their colony). The boy, Jake Knight, is 15 and has just been suspended from his posh English boarding school. Why? For using parkur techniques to leap over a wall into a prison on a dare. But once in, he could not escape. So he is sent away to Ouagadougou, the near-Saharan capital of Burkina Faso (let's call it BF for short) to join his motorcycle-riding diplomat father, beekeeper mother and 13-year old Kirsty, better known as Kas. The day after Jake's humiliating arrival the Knight family attend a banquet celebrating ten years of a foreign consortium's profitable management of BF's gold reserves. From this lavish meal (gold knives, forks, even desserts, etc.) Kas is kidnapped. Trying to rescue her, Jake is overpowered and taken along as an extra negotiating asset.
Jake uses his smart phone to alert his father. Later the kidnappers make him use that instrument to photograph and send to FaceBook Kas reading aloud a French language demand for release of political prisoners in Britain. The kidnappers are in false identity, in the pay of BF's corrupt Commissioner of Police. On their way to being shot, Jake and Kas are rescued by a gang calling itself Friends of the Poor. They attack the kidnappers with slingshots Eventually their 18-year old leader Yakuuba Sor aka The Chameleon smuggles Jake and Kas past the Police Commissioner's guards back into the ambassadorial compound. The Chameleon and his young idealists had been effectively framed for the kidnapping by evil elements within the BF Establishment. As a result Great Britain is taking clandestine steps to annihilate the Friends.
Using parkur techniques, Yakuuba Sor escapes the ambassador's compound with the help of angry bees who attack the police forces chasing the young African. Towards novel's end, Yakuuba and Jake have met up in the abandoned Red Cross desert camp used by the Friends of the Poor as a base. Her Majesty's government has been suckered by the Commissioner and cronies into believing the frame-up and is well along towards dropping a smart bomb on the compound. Will the brave lads survive? Read OUTLAW to find out.
If OUTLAW constrained itself into being merely a very fast paced, action packed, hi-tech adventure tale for 12-year old readers and placed in exotic African urban and desert settings, I would give OUTLAW high marks, say 4.5 stars: * * * * 1/2.
II. VIOLENCE.
OUTLAW is an unspeakably violent, bloody read for 12-year olds. A loony British Intelligence officer unnecessarily shoots an African doctor, two of his injured patients and almost succeeds in shooting his target, Yakuuba Sor. The MI6 man is "licensed to kill" and his killings are retroactively approved by London. And this is only one of several incidents of needlessly graphic violence, including fatal stings of BF police by the Ambassador's wife's bees. For needless, tasteless violence: One star *.
III. NOVEL'S MORAL OR MESSAGE(S)
OUTLAW is unabashedly didactic. Some teaching is factually informational, e.g. about the landscape of BF and about hi-tech smart bombs and a tiny British Intelligence beetle with an implanted micro-homing device. Other teaching is, by contrast, heavy-handed preaching and denuncation of the ills of the greedy West which has driven out Africans who had mined gold for centuries. The British Embassy has stupidly allowed itself to become a pawn of evil forces in BF who persuade MI6 to do in the honorable young Robin Hood wannabes, the Friends of the Poor. The MI6 man, who is sent overnight from London to help the ambassador find his children, is a trigger-happy, psychotic pony-tailed hippy. For overdrawn preachiness: Two Stars **.
IV. NOVEL'S FRAMEWORK, STRUCTURE
The novel is structured as a struggle between good and evil, with some of the good people inadvertently, stupidly, playing into the hands of enemies of Friends of the Poor and of justice for the people of BF. Villains include the Police Commissioner, his thugs, the loony MI6 gunman, the foreign companies plundering BF's gold, a charlatan Sheikh, grain-merchants and others.
Good-hearted but slow on the uptake are Ambassador Knight, his bee-keeper wife and 15-year old Jake. All are cardboard, one-dimensional "types." Two Stars **.
What redeems the didactic/preachy pages of OUTLAW are 13-year old, but, alas, one-dimensional Kirsty/Kas. At least she among the Europeans shows pity for a leprous beggar woman seen outside the luxurious Hotel Libya where the banquet takes place. Young Kas also resents the widely admired con job being done on BF by the non- African gold corporations.
Standing out among the flawed, immature but justice-seeking characters are the Friends of the Poor. They plus the chase/adventure narrative redeem OUTLAW as much as the other baggage can possibly grant it redemption.
We meet the Friends of the Poor in Chapter Two. The Chameleon, their 18-year old leader, is a master of disguise. He uses this mastery to seek out and observe charlatans who play on African superstitions to fleece herdsmen of their sheep and goats. The Friends entice a charlatan Sheikh to accept their hospitality. Their business is to teach evil men a lesson. But their leader Yakuuba Sor admonishes: "Wicked men are very rare. ... Unimaginative men are far more common. Talk to them ... help them to see that they have a choice" (Ch. 8). Later The Chameleon teaches a lesson to the greedy grain-merchants of Djibo, who jack up prices unjustly when people are hungriest (Ch.10).
Later Yakuuba and the Friends of the Poor free Jake and Kirsty from the Police Commissioner's kidnapping goons who have pretended to be Yakuuba Sor & Co. They deliver the children back to their parents. The Friends fight with slingshots, not modern weapons and they have wide popular backing against the corrupt government. For the Friends of the Poor, warts and all: Four Stars * * * * .
On balance OUTLAW is too pretentious to be good. The basic, unpadded story moves rapidly along from escapade to escapade, from chase to rescue to a Goliath United Kingdom about to launch a smart bomb against David Yakuuba Sor, with the Ambassador's son now firmly on the Chameleon's side. As against that upbeat element, there are violence, one-dimensional characters, implausibly dumb British diplomats and an even more implausible intelligence officer "with license to kill." This is a disappointingly average novel for 12-year old readers -- at best.
-OOO-