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It's difficult to remember a record so perfect in every way. It begins with a 50-second soundscape melting away beneath THAT VOICE. 'Mysteries' sends shivers down the spine, like 'Mojo Pin' (from Jeff Buckley's 'Grace'), it's an opener that fills you with excitement till you're fit-to-burst, flawless, beautiful, majestic, sweeping... and before you can catch your breath it's over. 'Tom The Model' slips into 'Portishead' territory before exploding into a preposterously catchy chorus, and so it continues... There isn't a weak moment or false note on this extraordinary record: Gibbons' shoves and pulls her voice around lilting melodies and trip-hop rhythms, seamlessly shifting from Billie Holiday-stylings to Sandy Denny in successive songs.
'Mojo Magazine' described it as "one of the best albums ever made"- that it lives up to and surpasses such expectations, whilst making today's six-hour train delay not just bearable but a joy, says more about this wonderful album than you could possibly imagine. Please buy this.
Gibbons sounds more comfortable here, away from the role of tortured vamp she often played, to perfection, when singing with Portishead.
Out of Season has a rustic, sensual, autumnal, folk ambience, no better displayed than on the opening 'Mysteries', where Gibbons' fragile paean to love and life is gently supported by ethereal choir and guitar.
At times vocally reminiscent of Melanie and Sandy Denny, Gibbons creates a work of unique and timeless beauty. A precious, precious gem.
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