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Our Tragic Universe Paperback – 7 Apr 2011

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Product details

  • Paperback: 448 pages
  • Publisher: Canongate Books Ltd; Main edition (7 April 2011)
  • Language: English
  • ISBN-10: 1847671292
  • ISBN-13: 978-1847671295
  • Product Dimensions: 12.9 x 2.7 x 19.8 cm
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (74 customer reviews)
  • Amazon Bestsellers Rank: 52,592 in Books (See Top 100 in Books)

More About the Author

Scarlett Thomas was born in London in 1972. Her other novels include Bright Young Things, Going Out, PopCo and The End of Mr.Y, which was longlisted for the Orange Broadband Prize for Fiction 2007. She teaches creative writing at the University of Kent. Her website is at www.scarlettthomas.co.uk

Product Description

Review

Thomas can discuss quantum physics and philosophy while making you think you're reading a sparkling romantic comedy. --Kate Saunders, The Times

A delight, not least for the quality of Scarlett Thomas's writing... Full of life and energy. --Philip Pullman

Is it odd to describe a book as kind? The commodity itself seems an increasingly rare thing in an internet-frazzled world, and so how unexpectedly wonderful to read Scarlett Thomas's Our Tragic Universe, a book that brims with a compassion and warmth. --Patrick Ness, The Guardian

Thomas has the mesmerising power of a great story teller - even if you're not always sure what she's telling you is a story. --Jake Kerridge, Financial Times

This is a novel of big ideas, with an engaging and identifiable central character, which will appeal to David Mitchell fans. --Waterstone's Books Quarterly.

'Thomas can discuss quantum physics and philosophy while making you think you're reading a sparkling romantic comedy.' --Kate Saunders, The Times

'Thomas is excellent on emotional tangles and meandering plotlines that still manage to mean something.' --Independent on Sunday

'Our Tragic Universe surprised me, and in such a terrific way. It is so addictive, you can't help but fall deeper and deeper under Scarlett Thomas's spell. She's a genius.' --Douglas Coupland

'A book that brims with a compassion and warmth'
--Patrick Ness, The Guardian

About the Author

SCARLETT THOMAS was born in London in 1972. Her previous novels include Bright Young Things, Going Out, PopCo and The End of Mr. Y, which was longlisted for the Orange Broadband Prize for Fiction 2007. She teaches at the University of Kent.

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Customer Reviews

3.2 out of 5 stars

Most Helpful Customer Reviews

32 of 35 people found the following review helpful By Gregory S. Buzwell VINE VOICE on 31 May 2010
Format: Hardcover
There are lots of peculiar goings-on happening around Dartmouth. There may (or may not) be a large beast prowling the moors; a ship in a bottle which is washed ashore may (or may not) hold a significant meaning for the story's main character Meg; we may (or may not) all already be dead and living in some sort of eternal computer-generated afterlife and we may (or may not) be able to piece together meaningful thoughts on the nature of life via the study and practice of knitting, writing, loving, dog walking and reading Anna Karenina.

I guess you could say of any novel ever written that it is 'not for everyone', but I think that's true of 'Our Tragic Universe' in a deeper fashion than it is for just about any other book I've ever read. Personally I loved it - I loved the way the narrative bounced between esoteric ideas such as the Cottingley Fairies that so haunted Conan Doyle one minute and then the meaning of Tarot cards the next; all interspersed with thoughts on the difficult nature of human relationships, the importance of friends and the desire to find your own place in the universe.

One of the key themes of the novel is that stories don't have to have a narrative, they don't need to have a beginning, a middle and an end. Since many aspects of life dribble vaguely onwards towards no readily discernable goal why should a novel be burdened with the need to tell a story?
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19 of 21 people found the following review helpful By Nicola in South Yorkshire VINE VOICE on 23 May 2010
Format: Hardcover
This is a difficult book for me to review. I have no idea what the point of it all was or what it was really about. All I can say is that I did find it a compelling read. When I started it I wasn't sure if I would continue reading it. 100 pages in and I felt that nothing had really happened. But then I found myself being drawn into the story of Meg Carpenter, a writer of genre fiction, and a would-be writer of literary novels. She's a likeable character, stuck in a relationship with Christopher, who finds fault with everything she does. There are some moments early on in the book where I got quite excited about what might be about to happen, and I did feel that those moments weren't followed through. I think I was waiting for a real wow moment to come out of them.

I can't put my finger on why I liked this book as much as I did. I think it's all down to the author's writing style, her sympathetic heroine and an intriguing, if unfathomable story, which did keep me interested throughout, despite the philosophical parts that didn't mean a great deal to me.

A worthy follow up to The End of Mr Y in my opinion. I'll definitely read more of Scarlett Thomas's work.
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17 of 19 people found the following review helpful By Straightforward TOP 500 REVIEWER on 25 Aug. 2010
Format: Hardcover
In the Orient, a long time ago, Taoist and Zen monks used to tell stories that would illustrate the multi-faceted nature of our existence; simple tales that could be interpreted in many ways, and that would reveal more upon further reflection. Nowadays, some people find them very frustrating, because at times they can seem to offer very little reward to the listener - or the reader. These are Zen tales, and Scarlett Thomas refers to them very often in her new book.

Here's an example:

"The great Taoist master Chuang Tzu once dreamt that he was a butterfly fluttering here and there. In the dream he had no awareness of his individuality as a person. He was only a butterfly. Suddenly, he awoke and found himself laying there, a person once again. But then he thought to himself, "Was I before a man who dreamt about being a butterfly, or am I now a butterfly who dreams about being a man?" *

This story, one of the less cryptic ones, provokes less frustration than most from readers. Some people see it as mere philosophical babble, others that he was reflecting upon how we interpret our reality, and the way that time is experienced - if butterflies live for only a short time, then how can the span of our lives fit into a dream it has?

The point of the story is to offer an object to meditate upon,, rather than a simple narrative to listen to.

Many people will find 'Our Tragic Universe' similarly frustrating, because it has a very different subject to her previous book, which was, to me, about science (which by it's very nature categorises everything). Here, she categorises very little, but leaves things to the reader to decide.
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8 of 9 people found the following review helpful By Vic Ainsworth on 30 Sept. 2011
Format: Paperback
Our Tragic Universe - Scarlett Thomas

`This, for me, is a key feature of storylessness: all structures must contain the possibility of their own non-existence - some zip that undoes them.' She smiled. `The storyless story is a vagina with teeth'

While the above quote may seem an odd one without context, it is I can assure you, as odd with. Our Tragic Universe by Scarlett Thomas (Author of The End of Mr Y, a book I loved) feels like an extension of the only scenes in Mr Y that I was less fond of. It covers a month or so in the life of Meg, an author who teaches (as opposed to the lecturer who writes from Mr Y) who's only achievement is as a reasonably successful ghost writer for the fictional Zeb Ross and as the writer of a series of (now cancelled) low brow science fiction novels, struggling, as she has for years, to write her "Novel". We see her simultaneously realise she has fallen out of love with one immature man, and fall for another 20 years her senior.

While I found myself quickly drawn to Meg I also found the similarities to Ariel Manto from Mr Y very striking, the writers/teachers attitude, the attraction to older men and the unending navel gazing. I recently discovered that, in her creative writing lectures, Ms. Thomas is a proponent of write what you know, l could easily have guessed this without this insider knowledge. The End of Mr Y could act as a guide book to the University of Kent campus, and I have no doubt that I could do a decent job of finding my way around this part of Devonshire after reading this book.

Whether intentionally or ironically if feels like this novel may in fact be Meg's great "novel".
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