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WITH AN INTRODUCTION BY CHRISTOPHER HITCHENS
Wormold is a vacuum cleaner salesman in a city of power cuts. His adolescent daughter spends his money with a skill that amazes him, so when a mysterious Englishman offers him an extra income he's tempted. In return all he has to do is carry out a little espionage and file a few reports. But when his fake reports start coming true, things suddenly get more complicated and Havana becomes a threatening place.
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Ex-patriot James Wormold is a mild-mannered, marginal businessman and vacuum cleaner salesman, whose spoiled teenage daughter sees herself as part of the equestrian and country club set. Approached by MI6 in a public restroom, Wormold finds himself unwillingly recruited to be "our man in Havana," a role which will reward him handsomely for information and allow him some much-needed financial breathing room.
Encouraged to recruit other agents to provide more information (and earn even more money), he chooses names at random from the country club membership list and fabricates personas for them, featuring them in fictionalized little dramas which he churns out and forwards to his "handlers." Always careful to fulfill their expectations exactly, Wormold becomes a more and more important "spy," his stories become more creative, his "enemies" find him and his "agents" to be dangerous, and his friends and the real people whose names were used as fictional agents begin to turn up dead.
Skewering British intelligence for being such willing dupes of a vacuum cleaner salesman who never wanted to be an agent in the first place, Greene betrays both his familiarity with the inner workings of the intelligence service, of which he was once a member, and his rejection of Cold War politics. In a conclusion which will satisfy everyone who has ever become impatient with political maneuvering, Greene carries the absurdities of power to their limits, orchestrating a grand finale which shows British politicians at their most venal--and most ridiculous. Ascerbic in its humor and delightfully refreshing in its choice of "hero," this novel is Greene at his very best. Mary Whipple
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