Yes, for some, the late 1950s are ancient history, black and white films are anathema and anything less than high tech wizardry involving the spontaneous combustion of entire planets is tedium.
Yet 'Our Man in Havana', produced in 1959, has for me, retained its status as an excellent film.
At the risk of appearing biased, I have to say that nearly anything involving the late Alec Guinness is usually top notch! This witty, humorous film, of one hour 43 minutes duration, based upon the original story by Graham Greene, is no exception. A raised eyebrow from Guinness can communicate more emotion than the chest heaving, tear jerking, gut wrenching 'pathos' of some contemporary dramas.
If you haven't read the other reviews, briefly, this is a spy spoof with Guinness as Jim Wormold, an English expatriate in Havana, selling vacuum cleaners. Needing funds for his beloved teenage daughter's extravagant requests, Wormold reluctantly agrees to be recruited as an operative for the Secret Service.
Having absolutely no experience of espionage, Wormold is forced to invent information for his reports. Needless to say, vacuum cleaner components play a key role. (The idea of spying on secret military instillations in Cuba was said to predict the Cuban missile crisis of 1962)
Fiction is blithely accepted as fact by London. However, soon fictitious agents and creative drawings assume a life form of their own! Two operatives are dispatched from London to assist Wormold and it seems that discovery is imminent.
Although there are many comic moments, the story has its poignancy. Played out against a backdrop of the brutal Batista regime (Soon to be overthrown by Castro), betrayal, deceit and their consequences, particularly for innocent victims, are interwoven themes. Wormald's wife has left him and as a result, his life is literally a vacuum. Wormald's attempts to deceive the Secret Service have tragic consequences, one of which is the death of his close friend Dr Hasselbacher. Agents are not what they appear: someone is a double agent out to kill Wormwold.
Usually the filmed version of a novel I have particularly enjoyed, is a disappointment. This is an exception. The film skilfully manipulates the tension between comedy and tragedy.
Recommended....but do read the novel as well!!