The writers, artists, editors, and actors who populate Tom De Haven's new book orbit the idea of Superman, reflecting how the tides of fashion affect the character and illuminating how the Man of Steel weathers the years as a resilient but ultimately unchanging pop culture icon.
De Haven, author of an excellent Superman novel published in 2005, takes us on a fascinating tour not so much of Superman's history as of the men who shaped it. Jerry Siegel (always his own worst enemy) and Joe Shuster, the character's co-creators, may have envisioned him as a Depression-era social crusader against crooked politicians and businessmen, but kids and servicemen loved it. After the war, television came along with George Reeves' hardboiled, no-nonsense Clark Kent, while comic book editor Mort Weisinger was responsible for expanding the science fiction universe of the Superman titles, giving us, among other things, Krypton as Paradise Lost (though De Haven reads the Krypton story as a variation on both Moses and Chicken Little).
Superman and Clark Kent are a Rorschach blot for writers and actors: which is the real guy, and which is the assumed identity? (Christopher Reeve played it one way, Tom Welling another.) Would Superman be Superman without Lex Luthor? (Well, yeah -- but not without Lois Lane.) Is Superman "relevant" to us in the twenty-first century? (This one's tough to answer: as the self-invented Superman of 1938, De Haven inclines to a "yes," but as the Kansas farm boy instilled with heartland virtues by his foster parents, not so much.)
The subtitle of this book is "Superman on Earth," and it's really about how Superman looks to us, the natives of his adopted homeworld. What we admire about him, overlooking the silly but iconic red-and-blue suit. How, if at all, he inspires us to do more than we thought we could.