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21 of 26 people found the following review helpful:
5.0 out of 5 stars
Discover australia, 12 Jun 2001
By A Customer
This play is based on fact. By the middle of the seventeenth century the middle class and wealthier citizens of England were deeply frightened of a rising crime rate - particularly crimes against property - which had been created by a swelling population and widespread unemployment. The idea was proposed that convicts could be transported - exiled would be a more accurate term - to a remote part of the globe where the British where they could be used as free laborers to create a strategically located naval outpost: Australia.When the first fleet arrived at this new penal colony, carrying the first Europeans who would live there, it is estimated that the Aboriginal population of the continent numbered about 300,000, that is roughly one person to every ten square miles. The Royal Marines who served as jailers resented being ordered to this ignoble duty in such an undeveloped part of the world. Their own diaries have shown historians that many of the captors took out their frustrations in brutal treatment of the prisoners. We also learn from these same sources that, in 1789, several of the convicts and one of the officers decided to put on a play for the enjoyment of the entire camp. None had any experience in the theatre, and only a few of the convicts could read, but, against all odds play on the Australian continent, but also in teaching themselves and their observers much about compassion, cooperation, and creativity. The Playwright Lael Louisiana Timberlake Wertenbaker was born in the United States and was raised both here and in France. Her father, Charles Wertenbaker, was a foreign correspondent for Time magazine. She attended college in the U.S., graduating from St. John's College in 1966, and soon after, she began working as a writer for Time-Life Books. Later, she taught French in Greece, and by 1970 she had moved to London where she became involved with a number of different small theatre companies and turned to playwrighting. She earned the praise of London critics for a number of outstanding plays which were produced throughout the 1980's. She has received numerous awards including the Most Promising Playwright Award in 1985 for The Grace of Mary Traverse, the Laurence Olivier Play of the Year Award and the Evening Standard Play of the Year Award in 1988 for Our Country's Good, and the Eileen Anderson Central Television Drama Award in 1989 for The Love of the Nightingale. Historical Background Between 1788 and the mid 19th century, approximately 160,000 men, women, and children were transported in bondage from England to Australia. The prisoners who were transported in the first fleet dispatched to Australia -- those who are depicted in Our Country's Good - included approximately 550 men and almost 200 women. The youngest of the others who were still in their teens -- and the oldest was an eighty-two year old woman named Dorothy Handland who had been convicted of perjury. In the voyage of the first fleet, the prisoners were kept between decks. There were approximately four convicts for each six square feet of floor space and only about four feet of headroom so that none of the adults could have stood upright. Because of the hazard of fire on board, no candles were allowed in the prisoners' hold, so when the hatches were closed they had neither light nor fresh air. The trip to Australia by that fleet took 252 days (from early May to late January) during which time a total of forty-eight people died: forty convicts, five convict's children, one marine's wife, one marine's child, and one marine.
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