Review
"Colin Simms isn't an easy poet, but I think he's a major one, and I recommend this book absolutely." (Ian McMillan, 'The Yorkshire Post')
Product Description
Colin Simms is a freelance naturalist, poet and motorcycle enthusiast, who is based in a remote part of northern England. Amongst his partuclar fields of expertise as a naturalist is the mustelidae family - otters and martens, both European and North American. While doing scientific field work, Colin Simms also writes poems about the animals he studies - poems that owe much to the example of Basil Bunting and the Pound tradition, and have a wonderfully gnarled music about them. This volume collects almost 150 of his poems about otters and martens, drawn from his entire writing career. Although he has published widely in magazines and with small presess for more than 30 years this is Simms' first full-scale book to be made available through the trade. It will delight animal-lovers and poetry-lovers alike.
From the Publisher
This is Colin Simms' first large collection to be made widely available, and it gives the poetry public a chance to make the acquaintance of a truly original English poet, whose work has been too hard to find for far too long.
About the Author
Colin Simms - poet, naturalist, and lifelong independent observer - was born in 1939, and lives as an author and freelance naturalist in the North of England, with journeys throughout the northern hemisphere, wherever his objectives live - his homes have been where the martens, otters, birds of prey and other enthusiasms are. He is not an orthodox conservationist, but insists on the privacy, 'isness', for wildlife which modern trends deny. He also demonstrates the poet-naturalist's concern for precise observation, apposite language and cadence. He has published thousands of natural-history letters, articles, reports, scientific notes and papers, broadcasts and (above all) poems, and his scientific work has an international reputation. He has given hundreds of readings, and produced several paintings and prints of mustelids and other predators since 1953, which have been exhibited and are available in very limited editions. He has also made a number of photographic studies of these same subjects. Most of his 1250 published poems have been in small-press publications, and this is the first larger-scale collection of his work - written and revised over the last fifty years, in some cases. This will be followed by other volumes showing the range of his work and experience.
