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The Other Hand [Paperback]

Chris Cleave
3.2 out of 5 stars  See all reviews (172 customer reviews)
RRP: £7.99
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Product details

  • Paperback: 400 pages
  • Publisher: Sceptre; Paperback Edition, First Printing edition (5 Feb 2009)
  • Language English
  • ISBN-10: 0340963425
  • ISBN-13: 978-0340963425
  • Product Dimensions: 19.2 x 12.8 x 3.4 cm
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (172 customer reviews)
  • Amazon Bestsellers Rank: 533 in Books (See Top 100 in Books)

More About the Author

Chris Cleave
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Product Description

Review

'A powerful piece of art... shocking, exciting and deeply affecting...[a] superb novel... Besides sharp, witty dialogue, an emotionally charged plot and the vivid characters' ethical struggles, THE OTHER HAND delivers a timely challenge to reinvigorate our notions of civilized decency.' (Independent 20080809)

'Exquisitely balanced between terrible sadness and brilliant humour.' (Observer 20080823)

'Big themes, high emotion and cliffhangers aplenty... an enormously affecting investigation of love, guilt and global responsibility, told with a bittersweet urgency.' (Justine Jordan, Guardian 20080804)

'Searingly eloquent.' (Daily Mail 20090201)

'An ambitious and fearless gallop from the jungles of Africa via a shocking encounter on a Nigerian beach to the media offices of London and domesticity in leafy suburbia...Cleave immerses the reader in the worlds of his characters with an unshakable confidence. ' (Lawrence Norfolk, Guardian 20080803)

'totally believable... the author has a knack of explaining human suffering... I look forward to his next offering.' (Daily Express 20080828)

'impresses as a feat of literary engineering... the plot exerts a fearsome grip.' (Daily Telegraph 20080320)

'An exhilarating, disturbing read.' (James Urquhart, Independent (Books of the Year) 20080320)

'You stay in thrall to the bittersweet end.' (Scotland on Sunday 20090215)

'It would be hard not to romp through it.' (Financial Times 20080728)

'By turns funny, sad and shocking' (Sainsburys Magazine 20090224)

'The next Kite Runner.' (Library Journal 20090224)

'Warm, witty and beautifully written.' (Sunday Tribune )

'In a novel that tackles serious and uncomfortable subject matter, Cleave's writing makes one laugh and despair in equal measure. (4 stars)' (Time Out )

'I felt the same excitement discovering this as I did Marina Lewycka's A Short History of Tractors in Ukrainian and Paul Torday's Salmon Fishing in the Yemen. There is an urgency here, an inability to put it down and a deep sense of loss once finished. It is a very special book indeed. Profound, deeply moving and yet light in touch, it explores the nature of loss, hope, love and identity with atrocity its backdrop. Read it and think deeply.' (Sarah Broadhurst, Bookseller )

'Immensely readable and moving . . . an affecting story of human triumph'

(New York Times )

'Artfully plotted... [a] strong yarn.' (Sunday Telegraph )

'A better book than Chris Cleave’s THE OTHER HAND may be published this year, but I wouldn’t bet on it. This exquisitely written story of a Nigerian refugee and a British glossy magazine editor is the most powerful novel I’ve read in a long time. . . it’s also a very funny book about brave, funny people who the reader quickly grows to love. . . But the heart of the book is Little Bee; naïve yet insightful and sophisticated, damaged yet capable of great courage and humour, she is an unforgettable character. I finished THE OTHER HAND in tears, and I still can’t get it out of my head. Just read it.' (The Gloss )

'Will blow you away... the best kind of political novel: You're almost entirely unaware of its politics because the book doesn't deal in abstractions but in human beings.' (Washington Post )

'So far it’s the best book of 2009, no question.' (Metro (US) )

Product Description

The stunning new novel from the author of INCENDIARY (20090215)

Inside This Book (Learn More)
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Customer Reviews

172 Reviews
5 star:
 (48)
4 star:
 (29)
3 star:
 (36)
2 star:
 (30)
1 star:
 (29)
 
 
 
 
 
Average Customer Review
3.2 out of 5 stars (172 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
18 of 19 people found the following review helpful:
2.0 out of 5 stars Big build up to a big disappointment, 28 Aug 2009
By G. ODonoghue "Greg O'D" (London UK) - See all my reviews
(REAL NAME)   
This review is from: The Other Hand (Paperback)
I suspect my main problem with this book was the fact that it was given such a big build up by the professional reviews that I expected more than it delivered. The cover note about not giving away the ending was clever but only added to the disappointment since the finale was no big deal.
I liked the review by the Nigerian lady who felt patronised. I felt similarly, There was something of a hectoring tone throughout the book making the reader feel as if you are a shallow westerner with no regard for Nigerians who, in truth, are generally just as "civilised" , if not more so, than us westerners. Some of the dialogue is very unrealistic, forced and stilted despite some sentimental heart-string tugging moments.
All in all, an "Emperor's new clothes" novel.
I'm afraid I won't be going back to Chris Cleave anytime soon.
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45 of 49 people found the following review helpful:
4.0 out of 5 stars the flaws don't spoil an otherwise great book, 6 July 2009
By H. Seymour "Helen" (Hull, UK) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   
This review is from: The Other Hand (Paperback)
NB. spoilers in this review!

I think the main flaw with this book has nothing to do with the story itself but the marketing techiques employed by the publishers. As other reviewers have mentioned, the blur could basically be summarised as: 'This book is sooo amazing we could not possibly do it justice in a blurb and you must buy it to find out' and it is precisely this which has led to the the negativity surrounding the book. It cannot possibly live up to hype like this. Any flaws (and all books have them) are grossly amplified in the reader's mind simply because of the arrogance of the back cover. This is only made worse by the gushing letter from the editor.

Take the letter away and stick a normal blurb on the back and what you are left with is a flawed, but rather wonderful, novel.

I don't like criticising good novels but in order to give a balanced review I will get the few faults out of the way first.
- the beach scene. Although compelling reading, this scene is destroyed by the lack of logic. It screams 'plot device', with the characters being pushed along a certain course of action by the author - a course of action they would definitely not take. If the killers were so desperate to get rid of witnesses to their crime - so much so to track them down over such a long period - they would not have let Little Bee live simply because of the actions of a stranger. This wouldn't matter greatly if the scene wasn't so crucial to the entire story.
- the ending. Awful, awful. Not only are we left hanging after following Little Bee for so long, but again there is a comprehensive lack of logic. Why why WHY would Sarah bring Charlie to a country she knows first hand to be extremely dangerous? Especially after coming so close to losing him. Which leads me onto my next point...
- Charlie. I'm sure he's a very realistic kid but the incorrect grammar/batman obsession becomes very irritating. The incorrect grammar can be hinted at occasionally for humour. Less is more.

Right, onto the good points (and they really are very good):
- the characterisation. Contrary to other reviewers, I thought this was excellent: the characters were sympathetic enough for us to care, flawed enought to be realistic. Except for the incidents mentioned above, I thought their actions were very realistic and consistent with their internal logic.
- the insight into a refugee's life. I have always been very sympathetic to assylum seekers, but this intensified my feelings. Everyone ought to read this book and then see if they are so judgmental of immigrants.
- the language. Contrary to virtually every other reviewer, I thought the language was beautiful and simple.
- the humour. Considering the subject matter, this novel is surpisingly witty and this helps to balance the rather grim scenes.

In summary, this book is compelling, moving, tragic, horrific, touching and funny. It is flawed like all novels, but please don't allowed the irritating marketing to ruin your perception of this beautiful story.
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105 of 117 people found the following review helpful:
3.0 out of 5 stars Great story, patchy prose, 18 Dec 2008
By Kevin James (UK) - See all my reviews
(REAL NAME)   
This review is from: The Other Hand (Hardcover)
This book has floated a lot of boats mainly, I suspect, because the story is so powerful. Emotive, provocative and challenging, this is a tragic human tale with much contemporary relevance, and I'm glad I managed to fight my way through the frequently ungainly prose and clunking dialogue to the fine conclusion.
At times this novel read like an early draft, not a finished work. Many sentences made me recoil and try to mentally reorganise them. (Interestingly, the first chapter was the best written. And the last too. An editor's prioritising at work here?) Some sections were very cliche-prone, others too purple. Chapter 8, for example: "I remember the exact day when England became me, when its contours cleaved to the curves of my own body, when its inclinations became my own." This is nauseating guff, and the passage gets worse, straining for literary merit, missing by a mile.
The Other Hand could, I think, make a powerful film, if offered to a screenwriter with more of a gift for natural sounding speech. The conversation between Sarah and Andrew on the Nigerian beach is typically tin-eared, beginning: "Listen to that surf, Andrew. It's so unbelievably peaceful here." "I'm still a bit scared, frankly. We should go back inside the hotel compound." (Something bad about to happen then?)
Alternating the story-telling between Sarah and Little Bee was generally effective, but about halfway through it could probably have been dispensed with altogether as a narrative device. I felt that Cleave was tying himself in expositional knots once the two characters were actually under the same roof.
If I found much to criticise, my hostility to the writing style was no doubt increased by the sensational reviews associated with the promotion of this book. These rather oddly stressed how funny the book was, despite the heavy subject matter. Not much made me laugh though.
I must repeat that this is a great story, full of unexpected turns, and it will definitely stay with me. I await the inevtable film with interest.
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