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Snowman may be the last man on earth, the only survivor of an unnamed apocalypse. Once he was Jimmy, a member of a scientific elite; now he lives in bitter isolation and loneliness, his only pleasure the watching of old films on DVD. His mind moves backwards and forwards through time, from an agonising trawl through memory to relive the events that led up to sudden catastrophe (most significantly the disappearance of his mother and the arrival of his mysterious childhood companions Oryx and Crake, symbols of the fractured society in which Snowman now finds himself, to the horrifying present of genetic engineering run amok. His only witnesses, eager to lap up his testimony, are "Crakers", laboratory creatures of varying strengths and abilities, who can offer little comfort. Gradually the reasons behind the disaster begin to unfold as Snowman undertakes a perilous journey to the remains of the bubble-dome complex where the sinister Paradice Project collapsed and near-global devastation began.
This, Atwoods 11th novel, confirms her as one of our most contemporary novelists. Darkly humorous and icily prescient, Oryx and Crake shows a writer deeply concerned with the stark moral issues facing the human race, and accords a glimpse of a future that lies all too uneasily within reach. --Catherine Taylor
This is a book that grabs your attention from the very first sentence and never lets go, dragging you further and further into the nightmare world of an all to possible near future. Who is the Snowman? Why is he alone? Who/what are the Children of Crake? The answers Atwood reveals slowly, as she describes a world not unlike our own - apart from the pigoons, wolvogs and rakunks and the fact that the midday sun can burn the skin from your back. The geological world has changed but the human world certainly hasn't. If anything, it's got worse. Technologies such as the Internet, GM food and genetic engineering are taken to their logical and depressing conclusions. Anyone familiar with 'Transmetropolitan' won't be surprised by the themes explored.
In terms of 'lone survivor in a hostile environment' genre, 'Oryx & Crake' shares similarities with 'I Am Legend' - Snowman (short for Abominable Snowman), sees himself as a creature of myth; the last human left alive. But unlike Matheson's book, the explicit reasons for the final catastrophe are revealed in a horrifying climax, the causes of which are slowly hinted at as the story unfolds through Snowman's memories.
Atwood's skill lies in taking what is merely theory now and having it treated as commonplace by her characters. The horror of the book lies in the fact that it could happen. In some instances events have already overtaken fiction and the seeds of our (possible), destruction have already been sown.
Not a preachy, or po-faced book by any means (there's a surprising amount of humour) but certainly one that makes you stop and think, with characters and events that will haunt you long after the final page. Thoroughly recommended.
Taking a couple of examples from modern day scientific research, and mixing in simple ideas of possible future research- designer humans, transgenic animal organs, gene splicing to study diseases- Atwood creates a very interesting world, revealing it slowly piece by piece. Here, she exploits the fears and ideas of what science might bring the world to in the future. But I really would not call this book a serious warning of what the future holds. It's a fantasy, a great story, mysterious, innovative, interesting.
Yet without a bit of proper research, you really can't validate an opinion of genetic engineering from what's casually tossed about in a fiction book. The whole story is based on an ominous premise about a futuristic dystopia and the lives and effects of two very different people growing up in it. It's great, it provokes thought on human nature, but take it all with a pinch of salt!
Jimmy's past is an all-too-recognisable future of gated communities living in fear of the 'pleeblands' outside, of genetic engineering on demand turned to the gratification of our shallowest desires, and of entertainment on tap from internet porn and destructive wargames simulating extinction. His present is a world which has lost all familiar features and where he himself faces extinction, but has also been reinvented as the source of creation myths for a community of the Children of Crake, on the one hand monstrous freaks of genetically redesigned humans, herbivorous and with added features such as the sexual displays of baboons and the purring of cats, but minus impulses such as lust and aggression. These creatures begin more and more to appear like the noble savages, the ideal primitive people, described by writers such as Montaigne, and Jimmy is caught in a web of confusion as to his place with them -to protect or to resent, as he is drawn into the role of the semi-divine, wholly alien storyteller and shaman explaining their beginnings and their place in this unrecognisable world around them: imagine Lord of the Flies told from the point of view of the pig's head on the stick.
This is not a novel that gives easy answers and, as with the Handmaid's Tale, we are left with an ending of multiple possibilities. A brilliant, unforgettable read.
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