The Maestro is dead. This is most assuredly NOT what the Maestro would have given us. But this "assemblage" of Welles' footage and much of his own voice-overs is well worth watching. The lead actors are picture perfect for their legendary parts. The music is extremely good. There are many, many touching scenes and many, many hilarious scenes that do Cervantes proud. The Welles-imitating narrator does a wonderful job tying things together. Yes, the scene of Don attacking a battle scene on a movie theatre screen is locked up in litigation somewheres and Patty McCormack is nowhere to seen in this version and the nuclear blast that Welles intended our heroes to survive is not here as it most likely was never filmed. But...IT'S ALL TRUE was pieced together and proved better than nothing. And even AMBERSONS, mutilated and defiled with scenes shot by hacks and parts scored by a much lesser talent than Bernard Herrmann, is still a crown jewel in film history. Even earlier mangled versions of TOUCH OF EVIL were accepted in spite of the manglings until the "restoration" was made. Some small sketches by Leonardo were recently found on the back of a Da Vinci painting in the Louvre and the art world rejoices. Well, here are several cinematic sketches stitched together - but instead of a Frankenstein Monster of a film we get a glimpse at what might have been. We get some of Welles - and some of Welles goes a long, long way. And to those who complain about the voice-changes from scene to scene....oddly enough, the different voices add to the surrealism of our Knight Errant in Modern Times. And, as I've said, to hear Welles' voice by turns touching, by turns hilarious is a pure joy. Well worth it, despite its flaws.