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Album Savings: £12.77 compared to buying all songs
- Original Release Date: 21 Nov 2006
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Disc 1: | |||||
| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Lie To Me | 2:10 | £0.69 | ||
| Play | 2. LowDown | 4:15 | £0.69 | ||
| Play | 3. 2:19 | 5:02 | £0.69 | ||
| Play | 4. Fish in the Jailhouse | 4:22 | £0.69 | ||
| Play | 5. Bottom of the World | 5:42 | £0.69 | ||
| Play | 6. Lucinda | 4:52 | £0.69 | ||
| Play | 7. Ain''t Goin Down To The Well | 2:28 | £0.69 | ||
| Play | 8. Lord I've Been Changed | 2:28 | £0.69 | ||
| Play | 9. Puttin' On The Dog | 3:39 | £0.69 | ||
| Play | 10. Road to Peace | 7:17 | £0.69 | ||
| Play | 11. All The Time | 4:33 | £0.69 | ||
| Play | 12. The Return of Jackie And Judy | 3:28 | £0.69 | ||
| Play | 13. Walk Away | 2:43 | £0.69 | ||
| Play | 14. Sea Of Love | 3:43 | £0.69 | ||
| Play | 15. Buzz Fledderjohn | 4:12 | £0.69 | ||
| Play | 16. Rains On Me | 3:20 | £0.69 | ||
| Disc 2: | |||||
| Song Title | Time | Price | |||
| Play | 1. Bend Down the Branches | 1:06 | £0.69 | ||
| Play | 2. You Can Never Hold Back Spring | 2:26 | £0.69 | ||
| Play | 3. Long Way Home | 3:10 | £0.69 | ||
| Play | 4. Widow''s Grove | 4:58 | £0.69 | ||
| Play | 5. Little Drop of Poison | 3:09 | £0.69 | ||
| Play | 6. Shiny Things | 2:20 | £0.69 | ||
| Play | 7. World Keeps Turning | 4:16 | £0.69 | ||
| Play | 8. Tell It To Me | 3:08 | £0.69 | ||
| Play | 9. Never Let Go | 3:13 | £0.69 | ||
| Play | 10. Fannin Street | 5:01 | £0.69 | ||
| Play | 11. Little Man | 4:33 | £0.69 | ||
| Play | 12. It's Over | 4:40 | £0.69 | ||
| Play | 13. If I Have To Go | 2:15 | £0.69 | ||
| Play | 14. Goodnight Irene | 4:47 | £0.69 | ||
| Play | 15. The Fall Of Troy | 3:01 | £0.69 | ||
| Play | 16. Take Care Of All My Children | 2:31 | £0.69 | ||
| Play | 17. Down There By The Train | 5:39 | £0.69 | ||
| Play | 18. Danny Says | 3:05 | £0.69 | ||
| Play | 19. Jayne's Blue Wish | 2:29 | £0.69 | ||
| Play | 20. Young At Heart | 3:41 | £0.69 | ||
| Disc 3: | |||||
| Song Title | Time | Price | |||
| Play | 1. What Keeps Mankind Alive | 2:09 | £0.69 | ||
| Play | 2. Children's Story | 1:42 | £0.69 | ||
| Play | 3. Heigh Ho | 3:32 | £0.69 | ||
| Play | 4. Army Ants | 3:25 | £0.69 | ||
| Play | 5. Books Of Moses | 2:49 | £0.69 | ||
| Play | 6. Bone Chain | 1:04 | £0.69 | ||
| Play | 7. Two Sisters | 4:55 | £0.69 | ||
| Play | 8. First Kiss | 2:40 | £0.69 | ||
| Play | 9. Dog Door | 2:43 | £0.69 | ||
| Play | 10. Redrum | 1:12 | £0.69 | ||
| Play | 11. Nirvana | 2:12 | £0.69 | ||
| Play | 12. Home I'll Never Be | 2:28 | £0.69 | ||
| Play | 13. Poor Little Lamb | 1:43 | £0.69 | ||
| Play | 14. Altar Boy | 2:48 | £0.69 | ||
| Play | 15. The Pontiac | 1:54 | £0.69 | ||
| Play | 16. Spidey's Wild Ride | 2:03 | £0.69 | ||
| Play | 17. King Kong | 5:29 | £0.69 | ||
| Play | 18. On The Road | 4:14 | £0.69 | ||
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Product details
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Customer Reviews
Most Helpful Customer Reviews
30 of 31 people found the following review helpful
Format:Audio CD
I have been a fan of Tom Waits since 1973 when 'Closing Time' was released. I have just about everything he has released since then and I have had the privilege of twice seeing him perform live.
Like all great songwriters with extensive back catalogues, there has been the occasional blip but overall the quality has remained high and 'Orphans' has raised the bar even higher by being an absolute classic.
Brilliant songs and musings to make you laugh, cry and rock. And all beautifully presented in a quality package.
If you are not yet into Tom Waits then I recommend that you listen to this album and discover a genius.
Like all great songwriters with extensive back catalogues, there has been the occasional blip but overall the quality has remained high and 'Orphans' has raised the bar even higher by being an absolute classic.
Brilliant songs and musings to make you laugh, cry and rock. And all beautifully presented in a quality package.
If you are not yet into Tom Waits then I recommend that you listen to this album and discover a genius.
125 of 132 people found the following review helpful
Format:Audio CD
Three discs, fifty-four songs, thirty new and previously unheard recordings sounds like pretty standard fare for an artist box set, and yet, Orphans has as much in common with a simple career retrospective as Tom Waits does with the average singer songwriter.
The three discs are divided by genre: Brawlers is chock full of raucous blues and full-throated juke-joint stomps, Bawlers contains a selection of Celtic and country ballads, waltzes, lullabies, piano, and classic lyrical Waits' songs, while Bastards is filled with experimental music, stories and jokes.
The first disc, Brawlers, sees Waits channel The Rolling Stones, Captain Beefheart, Muddy Waters and T-Rex. The first of the new songs, LowDown, is in pure garage rock mode, with his 20-year-old son, Casey, on drums and San Francisco's blues icon, Ron Hacker, on guitar. A cover of The Ramones's The Return Of Jackie And Judy rubs shoulders with more traditional numbers like Bottom Of The World and Rains On Me.
Stealing the show, however, is Road To Peace, Waits's staggering condemnation of the Bush government and a companion piece to Day After Tomorrow from his previous album, Real Gone. It is, without question, one of the finest anti war songs ever penned.
The lonesome ballads and tender songs of innocence and hope on Bawlers come in sharp contrast to the other two discs and showcase Waits at his most romantic. The plaintive laments of Tell It To Me and Fannin Street meld poignantly with saloon songs of betrayal and despair like The World Keeps Turning. The bitter cabaret of Little Drop Of Poison (originally from the soundtrack to End Of Violence and, later, Shrek 2) explores what the heart gives and what it takes away.
It's the indefinable diversions into Waits's experimental side that are the hallmark of Bastards. The disturbing bedtime fable that is Children's Story, precedes a maniacal version of Heigh Ho, from Disney's Snow White & The Seven Dwarves and a cackling take on Daniel Johnston's King Kong. The poignant reminiscence of car ownership on The Pontiac and the spoken word Army Ants ensures that Bastards is anything but predictable.
Ever the stylistic nomad, Waits takes on the roles of inventive vocalist, literary lyricist, barking preacher, rabid poet, romantic melodist, innovative arranger and pioneer of sonic worlds as he scats, wheezes, blurts, rages, weeps, whispers and chugs through the three discs. Orphans will move the heart, shake the body and expand the soul.
The three discs are divided by genre: Brawlers is chock full of raucous blues and full-throated juke-joint stomps, Bawlers contains a selection of Celtic and country ballads, waltzes, lullabies, piano, and classic lyrical Waits' songs, while Bastards is filled with experimental music, stories and jokes.
The first disc, Brawlers, sees Waits channel The Rolling Stones, Captain Beefheart, Muddy Waters and T-Rex. The first of the new songs, LowDown, is in pure garage rock mode, with his 20-year-old son, Casey, on drums and San Francisco's blues icon, Ron Hacker, on guitar. A cover of The Ramones's The Return Of Jackie And Judy rubs shoulders with more traditional numbers like Bottom Of The World and Rains On Me.
Stealing the show, however, is Road To Peace, Waits's staggering condemnation of the Bush government and a companion piece to Day After Tomorrow from his previous album, Real Gone. It is, without question, one of the finest anti war songs ever penned.
The lonesome ballads and tender songs of innocence and hope on Bawlers come in sharp contrast to the other two discs and showcase Waits at his most romantic. The plaintive laments of Tell It To Me and Fannin Street meld poignantly with saloon songs of betrayal and despair like The World Keeps Turning. The bitter cabaret of Little Drop Of Poison (originally from the soundtrack to End Of Violence and, later, Shrek 2) explores what the heart gives and what it takes away.
It's the indefinable diversions into Waits's experimental side that are the hallmark of Bastards. The disturbing bedtime fable that is Children's Story, precedes a maniacal version of Heigh Ho, from Disney's Snow White & The Seven Dwarves and a cackling take on Daniel Johnston's King Kong. The poignant reminiscence of car ownership on The Pontiac and the spoken word Army Ants ensures that Bastards is anything but predictable.
Ever the stylistic nomad, Waits takes on the roles of inventive vocalist, literary lyricist, barking preacher, rabid poet, romantic melodist, innovative arranger and pioneer of sonic worlds as he scats, wheezes, blurts, rages, weeps, whispers and chugs through the three discs. Orphans will move the heart, shake the body and expand the soul.
40 of 42 people found the following review helpful
Format:Audio CD
The scale of this album is pretty intimidating. I wasn't sure when I bought this whether someone even of the calibre of Tom Waits could pull off a triple album and make it consistently good throughout. Has he managed it? Yes...with flying colours. 'Orphans' is a masterpiece. I have just about everything the man has ever recorded and this stands alongside his best ('Rain Dogs, 'Swordfishtrombones', 'Closing Time' if you want my opinion).
Orphans is divided into three CDs, each of which could have been released on its own as a perfectly good album. What Tom Waits has done though is ensure that fans of ALL aspects of his music go home happy. This is important when you remember that there is and never has been anyone to match Waits' musical versatility (Neil Young comes about the closest). So CD1 is Waits in rock music mode, CD2 is Waits the balladeer and CD3 is everything else. Its pointless listing the songs that are good here, there are just too many to mention. Instead it's best to look at the the three faces of the album.
CD1 (Brawlers) starts off with Waits doing an old fashioned rock 'n' roll/rockabilly number, "Lie To Me" - I must admit this isn't exactly a musical style that I'm into big time but nevertheless it is rather good. The highlight of 'Brawlers' for me though is 'Road To Peace', a Tom Waits commentary on the lunacy of the Middle East. This is as close to politics that Tom Waits is ever likely to get.
CD2 (Bawlers) is, I must admit, my favourite part of the album. Tom Waits for me has always been at his best when singing ballads. These bear comparison with anything he has performed before. Standout tracks are "Widow's Grove" (one of his best ever) and "It's Over" while the mad tango of "Little Drop Of Poison" could have come straight out of 'Rain Dogs'.
CD3 (Bastards) is Waits doing his experimental bit. In the press I read a review suggesting that this was purely for Waits diehards. I don't agree. There really is some excellent and tuneful (if that's the right word when talking about Tom Waits) stuff here. "Two Sisters" is superb as is "Home I'll Never Be". You also get several tracks of Waits' storytelling. For those who haven't heard him before, nobody tells a story like Waits. From the mad entomological listing of "Army Ants" to the untitled story at the end about the woman in the supermarket it's all here.
Fantastic stuff. Waits as ever glories in his stories of the American dark underbelly. Characters appear in these songs that have no place anywhere else. This really is the sound of 3 a.m. after a heavy night in a backstreet bar. Beautiful stuff, buy it!
Orphans is divided into three CDs, each of which could have been released on its own as a perfectly good album. What Tom Waits has done though is ensure that fans of ALL aspects of his music go home happy. This is important when you remember that there is and never has been anyone to match Waits' musical versatility (Neil Young comes about the closest). So CD1 is Waits in rock music mode, CD2 is Waits the balladeer and CD3 is everything else. Its pointless listing the songs that are good here, there are just too many to mention. Instead it's best to look at the the three faces of the album.
CD1 (Brawlers) starts off with Waits doing an old fashioned rock 'n' roll/rockabilly number, "Lie To Me" - I must admit this isn't exactly a musical style that I'm into big time but nevertheless it is rather good. The highlight of 'Brawlers' for me though is 'Road To Peace', a Tom Waits commentary on the lunacy of the Middle East. This is as close to politics that Tom Waits is ever likely to get.
CD2 (Bawlers) is, I must admit, my favourite part of the album. Tom Waits for me has always been at his best when singing ballads. These bear comparison with anything he has performed before. Standout tracks are "Widow's Grove" (one of his best ever) and "It's Over" while the mad tango of "Little Drop Of Poison" could have come straight out of 'Rain Dogs'.
CD3 (Bastards) is Waits doing his experimental bit. In the press I read a review suggesting that this was purely for Waits diehards. I don't agree. There really is some excellent and tuneful (if that's the right word when talking about Tom Waits) stuff here. "Two Sisters" is superb as is "Home I'll Never Be". You also get several tracks of Waits' storytelling. For those who haven't heard him before, nobody tells a story like Waits. From the mad entomological listing of "Army Ants" to the untitled story at the end about the woman in the supermarket it's all here.
Fantastic stuff. Waits as ever glories in his stories of the American dark underbelly. Characters appear in these songs that have no place anywhere else. This really is the sound of 3 a.m. after a heavy night in a backstreet bar. Beautiful stuff, buy it!
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Most Recent Customer Reviews
a difficult one to review
not sure how to review this, as i would give it 5 stars for the sheer breadth of material on here, and yet i'd give it 3 stars because i find, divvied up into the three types of... Read more
Published 7 months ago by Biffer Spice
Melancholic Laughter
Defines another template a wold away from pop ideology churning out pre composed memories for 16-21 year olds. Flat packed ready to erect set of pre fabricated memories. Read more
Published 13 months ago by Dr. Delvis Memphistopheles
Good old Tom Waits stuff...!
A collection of B sides and various bits and pieces, with some great moments and various styles. Brings back memories of Waits's good old days, really worth it!
Published 15 months ago by The O
Superb!
Definitly a MUST BUY from Tom! Soo in love with this album!
If I'm happy, if I'm feeling sad, Tom finds a way to bring a tear from my eyes. Specialy with bawlers! Read more
If I'm happy, if I'm feeling sad, Tom finds a way to bring a tear from my eyes. Specialy with bawlers! Read more
Published 16 months ago by Jernej Zajec
A Very Interesting Collection
As I understand it, this is a collection of songs that were written over the course of the last few years, but never made it onto one of Mr Waits' regular albums, hence the title... Read more
Published 19 months ago by SupremeCrow
Not quite orphaned...
Impressive tour de force by one of the masters of 20th century american rock. Great edition too, with the 96 page booklet, mainly with lyrics though, could have done with more... Read more
Published on 10 Jan 2010 by Andres Santiago
brilliant!
tom waits does not dissapoint on any of the cds.there isnt a filler among them,any waits fan...these cds are a must have!!
Published on 27 Aug 2009 by E. J. Hayes
Absolute classic
If you only ever buy one Tom Waits album, this is the one to get. This covers everything from his ballady mewslings to his full on rock outporings via his expermintal weirdness. Read more
Published on 6 Jan 2009 by Mr. S. Lawson
I'm not a big Waits fan but....
Here Tom Waits has the audacity to
attempt to better Bob Dylan's Modern
Times as Album of The Year 2006.
- and he's darned near succeeded. Read more
attempt to better Bob Dylan's Modern
Times as Album of The Year 2006.
- and he's darned near succeeded. Read more
Published on 4 Feb 2007 by Kerouac fan
He continues to do it
I have had the privelige of listening to Tom Waits for the last 20 years and can't comprehend how he continues to manage to produce music of this quality. Read more
Published on 21 Dec 2006 by Dr. A. Moore
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