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Originals: Kulu Se Mama
 
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Originals: Kulu Se Mama

23 Mar 2009 | Format: MP3

£7.99 (VAT included if applicable)
Also available in CD Format
Song Title
Time
Popularity  
30
1
18:49
30
2
9:51
30
3
5:24


Product details

  • Original Release Date: 23 Mar 2009
  • Release Date: 23 Mar 2009
  • Label: Decca (UMO)
  • Copyright: (C) 2009 The Verve Music Group, a Division of UMG Recordings, Inc.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 34:04
  • Genres:
  • ASIN: B003S33LRU
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)

Customer Reviews

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8 of 8 people found the following review helpful By iwastherein67 on 9 July 2010
Format: Audio CD
Just about everything John Coltrane played and recorded was fabulous, and this is no exception to that rule.
However, after many years of excellent recordings, in late '64 something happened that lifted Coltrane in to a league, a space, a universe of his own, starting with what many consider to be his masterpiece, 'A Love Supreme'. It was followed by what is undoubtedly the most incredible musical journey ever taken by man: Within the space of a year he recorded the albums 'The John Coltrane Quartet Plays' (I guess with so many albums, they couldn't think of a better title), 'Transition', 'Kulu Se Mama', 'Ascension', 'Meditations', 'Sun Ship', 'OM' and 'Selflessness', a group of albums that changed music forever (the jazz-world still is chewing on that albatross around its neck - and has not been able to surpass it - but what a beautiful albatross it is!).

At the time of recording KSM, Trane was breaking out of the quartet format, adding new elements to his group, that would allow him more freedom. The release has three tracks: 'Vigil' is a duo with Elvin Jones (dr), a beautifully dynamic conversation piece that sometimes sounds like a battle (with both parties on the same side, mind you - Coltrane's music is above all else about peace), followed by one of the later Coltrane's most lyrical pieces, 'Welcome' (Carlos Santana would play a beautiful version of this on his homonymous '73 album - one of his best..).
The title track is the maverick here. It features, together with THE quartet, the first appearance of Phroah(sic) Sanders (with whom he would play for the rest - two years - of his all-too-short life), Donald Garrett on base clarinet, Frank Buttler on extra drums and Juno Lewis on percussion and vocals.
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Format: Audio CD
Like other reviewers before me I was a bit uneasy with the vocals in the title track, however on repeated listens and with my recent immersion in all things impulse, I have come to view this as part of the era and I do now listen to Kulu Sé Mama and appreciate it. For those who will find that jarring most of the other tracks are available on Selflessness Featuring My Favorite Thing, Transition and Living Space /Imp. Of these albums Transition works the best, sounding like a real album; not just a collection of track. Selflessness is pretty good too, with a rather good cover too. The only track other than the title track that you won;t easily get elsewhere is the alternate take of Dusk Dawn.

John Coltrane is one of my all time favourites but clearly some of his music takes slightly longer to get into than other; you ned to grow the ears to hear Selflessness for example but if you put in the listening time you may find you are uploading Ascension onto your iPod to listen to on the journey home from work. Some days you really do need that level of spiritual renewal!
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2 of 4 people found the following review helpful By A. W. Kindness on 5 Nov 2011
Format: Audio CD
Coltrane's own playing is magnificent as always of course. No matter how fast or 'out' he plays the sound, the tone is always intact; he really SINGS (as opposed to Pharoah Sanders whose squawks and barks strike me as all effects but no real substance.) As for the vocal kind of singing, that cornball effort here is what keeps me largely from giving the album 5 stars.
The rest of the band is wonderful, especially Elvin Jones. In fact the duo with Coltrane is my favourite part of the album, like a forerunner of "Interstellar space" with the music stripped down to its bare minimum for maximum intensity, just the breath and the heartbeat.
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