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Masterful. Such a good album. If you haven't listenend to this yet, you're in for a treat. Don't listen to anyone who calls it "chavvy" or anything like that, and don't be put off by the hip-hop/garage sound to Skinner's music, this is an album that transcends any boundaries - if you love music and have an open-mind, you'll soon recognise how superb this album is.
Ignore the barriers of what style of music you would normally buy and go and get this album today.
Mike Skinner is best at summing up his own work: "Brace yourself, cos this goes deep," "This ain't your archetypal street sound," and "I excel in content and deliverance." He's right on all three.
Original Pirate attacks mass-produced pop in "Let's Push Things Forward" and "Turn The Page" (my crew laughs at yer rhubarb and custard verses), is brutally honest and observant in the every day ordinaryness, "Same Old Thing" (apparently there's a whole world out there somewhere... I just don't see it) and "Geezers Need Excitement" (if their lives don't provide them this they incite violence) and satirical to boot, "The Irony Of It All" (Dear Leaders, please legalise weed for these reasons).
A gem from start to finish.
Now, dance music's brightest star. No hype, no fan-fares, just pure genius. UK Garage finally has a world-class spokesperson and is in the shape of 22-year old Mike Skinner. Just when you thought there were no surprises left in modern pop music, an artist comes along and disproves that notion completely. He has single-handedly restored hope in the genre of British dance music and, particularly, UK Garage.
Packed to the rim with sharp one-liners, vicious beats and brilliant production, Original Pirate Material is a masterpiece of urban soundscaping and real-life lyrical vignettes concerning wild nights in Amsterdam, addiction, fighting in the pub and getting wasted. Skinner delivers these lyrics in his very own style, practically spitting them out in his Brummie accent and not trying to appeal to a mass audience by Americanising his accent. Meanwhile, there is Specials-style ska, 'Blue Lines'-era Massive Attack and skittering two-step playing in the background.
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