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Origin of Symmetry CD


Price: £4.62 & FREE Delivery in the UK on orders over £10. Details
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MUSE BIOG 2012

Energy. The Beach Boys. Twelve-bar blues. The Eighties. Dizziness. Stockbrokers. Thermodynamics. The Olympianideal. Fred Goodwin. Excess. INXS. Beck’s dad. Bellamy’s son…
Muse didn’t set out to make the most gloriously ambitious album of their career. How could they have? The band who dreamt up Supermassive Black Hole, Knights Of Cydonia and ... Read more in Amazon's Muse Store

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Frequently Bought Together

Origin of Symmetry + Absolution + Showbiz
Price For All Three: £14.80

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Product details

  • Audio CD (29 Jun. 2003)
  • Number of Discs: 1
  • Format: CD
  • Label: Warner Bros
  • ASIN: B0000CG3K6
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  Mini-Disc  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (281 customer reviews)
  • Amazon Bestsellers Rank: 1,694 in Music (See Top 100 in Music)

1. New Born
2. Bliss
3. Space Dementia
4. Hyper Music
5. Plug In Baby
6. Citizen Erased
7. Micro Cuts
8. Screenager
9. Dark Shines
10. Feeling Good
11. Megalomania

Product Description

Product Description

-titolo-origin of symmetryartista-muse etichetta-east westn. dischi1data7 novembre 2003supportocd audiogenerepop e rock internazionale ----brani1.new bornascolta2.blissascolta3.space dementiaascolta4.hyper musicascolta5.plug in babyascolta6.citizen erasedascolta7.micro cutsascolta8.screenagerascolta9.darkshinesascolta10.feeling goodascolta11.megalomania

Amazon.co.uk

Pomposity, bombast, pretension and prog-rock: they're four crimes that blight the landscape of modern music and Origin Of Symmetry--the second record by Teignmouth angst-rockers Muse--is guilty of every single one. But the truly astonishing thing about this record is the way it twists every one of these cardinal musical sins into spectacularly silly and starkly individual strengths. Where their debut album Showbiz was rightly dismissed as little more than Radiohead-lite, here Muse sound defiantly like their own band: on "New Born", they're torn somewhere between the purity of front man Matt Bellamy's angelic vocal tones and the corruption of a huge, dirty, distorted bass riff that electrifies the sound into crackling life; on the fraught, operatic "Bliss", they sound like an unholy--but very welcome--cross between synth-heavy Krautrock legends Tangerine Dream and youthful choirboy angst-peddlers JJ72; and even a wonderfully dippy take on the Nina Simone-popularised jazz standard "Feeling Good" is carried off with the requisite deadpan countenance. Bellamy's impassioned voice, in particular, is on spectacular form, soaring skywards until it cracks into a beautiful falsetto reminiscent of Jeff Buckley's greatest vocal moments. So gloriously overblown, it deserves to be huge--Origin Of Symmetry is a fascinating, flamboyant and satisfyingly individual album. --Louis Pattison

Customer Reviews

4.7 out of 5 stars

Most Helpful Customer Reviews

9 of 9 people found the following review helpful By A Customer on 29 July 2001
Format: Audio CD
Quite simply, I love this album to pieces. As someone who never owned a Muse record until the New Born single was released, I can't claim to be a critically informed reviewer; all I CAN say is that if you liked the 2 singles (as well as forthcoming single Bliss) then get the album because it's ALL like that. There seriously isn't a bad track; it's just a continuous swirl of gorgeous riotous noise that leaves you disappointed when one track ends, only to be immediately uplifted again when the next one starts. Matt Bellamy's voice reaches exquisite levels of fervour and emotion - I don't know if he's being serious or melodramatic or both and I can't begin to comprehend the lyrics but DAMN it sounds fantastic anyway. The tunes, needless to say, rock. And, unlike a lot of the trash out there, they ARE tunes; you get the feeling some actual effort and musical talent was put into them, and in no small amount. No ambiguity here then; this is an album that will make others wonder why you're smiling in the rain, and if you've got a handy wide open space in which to sing along at the top of your voice (or if, apparently like Bellamy, you just have no inhibitions), then so much the better.
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8 of 8 people found the following review helpful By "random_phil100" on 23 Dec. 2005
Format: Audio CD
I am a massive radiohead fan and got origin because people always say muse are very similar to radiohead. I listened to the album once, and it blew me away. This is what I imagine radiohead would have done if they had gone back after ok computer to heavier "the bends" style rock. But enough about radiohead, this album...
What can I say apart from it's amazing. Each song is so much louder and more powerful than I thought it would be, but they still have the radiohead derived intricateness and amazing music and vocals to back it up.
There really arent any bad songs on this album and its going directly under OK Computer to be my second favourite album, EVER.
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21 of 22 people found the following review helpful By shed_monster@hotmail.com on 20 Jun. 2001
Format: Audio CD
i didn't really get into muse when they first came out although i liked their singles, but i thought this was a vital purchase, and it was. it's not at all indi music like coldplay, and only nods towards rdiohead in bits but not as much as showbiz could have. i love the prog-rock influences like King Crimson because it makes prog cool again. muse don't care about being pretentious they just make excellent songs with strong bass and experimental guitar and keyboards, and mr.bellamy's voice is stunning. i love the beautiful keyboards on bliss and the latin/reggae vibe on darkshines. two of the songs (hyper music and citizen erased)sound just like a rage against the machine riff but it's turned into muses own style just like the nina simmone cover 'feeling good'. it's clever, interesting and different, i'd recommend it to people who like radiohead's heavier moments and the structure of tools songs or anyone with an open mind. my mum likes it but it just shows how cool she is. buy it if you want something new and exciting this year.
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6 of 6 people found the following review helpful By A Customer on 21 Jun. 2002
Format: Audio CD
Following a debut album as accomplished as 'Showbiz' was always going to be hard, but Muse return with a nigh-on flawless album.
'Origin of Symmetry' is prog-rock at its absolute finest and the depth achieved is incredible. From the arpeggiated, synthesised melody of 'Bliss', the bluesy 'Feeling Good', and the fantastic, 7 minute, prog majesty that is 'Citizen Erased': a track with a brilliant instrumental and an sublime ending.
Lyrics are always slightly bizarre in prog, 'Origin of Symmetry' is no exception. Bellamy has an incredibe voice and his lyrics are, in places, downright scary. In particular, 'Meglomania', featuring some very disturbing mental images.
There is something about bands' second albums - the albums are nearly perfect. Just look at Feeder and Placebo - 'Yesterday Went Too Soon' and 'Without You I'm Nothing' were more or less perfect albums. 'Origin of Symmetry' is akin to those two albums and Bellamy, it must be said, is a musical genius. If you have even the slightest doubt about buying this album, don't, just buy it, you will not be disappointed by the seamless quality and endless lastbility of one of the best albums I've ever listened to.
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86 of 92 people found the following review helpful By J. C. Bailey on 25 Jun. 2002
Format: Audio CD
I heard this album by accident when my 13 year old daughter brought it home, and I was impressed enough to go out and buy my own copy. I have to say (with affection) that it's wasted on her, and I'm not sure there are many other teenagers around who will grasp why Muse are so important. In fact you probably have to be a 40-something like me to fully appreciate who their influences have been and what the young band has done with them.
The trouble with Muse is that they make the creation of superb art rock look so easy that most listeners will take it for granted. Unless you've been around a few years and listened to a few other bands' attempts to create this sort of music, then you may fail to appreciate the unique mix of creative talent, inspiration, sheer hard work, and encyclopaedic knowledge of rock history that must have gone into this project.
Sadly, the only influence most reviewers on this site have spotted has been Radiohead. That's fair enough up to a point. Matt Bellamy sounds a bit like Thom Yorke on some songs, and Muse owe Radiohead an even more important debt: It's only because Radiohead carved out a mass market for this kind of art-rock back in the late 90's that there is an opening for new bands like Muse now. However, it is unfair to write Muse off as copyists. On the contrary, they have in some respects surpassed Radiohead at their best, matching the sonic ambition of Radiohead's later work without sacrificing the melodic sweep and the compelling hooks that made "The Bends" so listenable. What's more, Bellamy's voice is a considerably more flexible and emotionally powerful instrument than Yorke's, and embraces far older and deeper influences going right back to the late '60's.
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