'Without question, the concerto that Nielsen wrote in 1926 merits the supreme artistry that Sharon Bezaly brings to it, both in terms of deft, discerningly harnessed virtuosity and in her supple, sinuous shaping of the music.' --Gramophone, November 2013
'What is great about this disc is the startling playing of Sharon Bezaly. It is not that she grandstands in any way, she is just a phenomenally gifted flautist. She has already recorded a substantial number of significant works for her chosen instrument and by recording Nielsen's masterwork she has filled a glaring gap in the list.' --MusicWeb International, Dave Billinge
'When Sharon Bezaly releases a new album, the critic's job is basically to inform you that it exists. She's so good, so consistent, and so adventurous, that it's nearly impossible to go wrong.' --MusicWeb International, Brian Reinhart
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