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Oranges Are Not the Only Fruit is both a broad comedy and a moving coming-of-age story. Charlotte Coleman is perfect as the teenage Jess, attempting to reconcile her religious devotion and her adolescent passion, but the film belongs to Geraldine McEwan as Jess' mother. McEwan obviously relishes Winterson's script, and she creates a character both monstrous, ridiculous and surprisingly sympathetic. It's a difficult role to carry off, but McEwan succeeds. Her performance is the high-point of this award-winning, provocative film. --Simon Leake
Jess is adopted into a Pentecostal family in the north of England and learns about life through her mother and her church. When her mother is forced to put Jess into a conventional education Jess finds herself very out of place.
By the time Jess reaches her mid teens she is a strong member within her church often preaching the word of the Lord. Soon she finds herself in conflict again, this time with her family – Jess has fallen in love with another girl.
Jeanette Winterson’s tale is not just a coming out story it is about having the strength to follow your heart and think for yourself.
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