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Amazon.co.uk Review
Brought up in a working-class Pentecostal family, up North, Jeanette follows the path her Mam has set for her. This involves Bible quizzes, a stint as a tambourine-playing Sally Army officer and a future as a missionary in Africa, or some other "heathen state". When Jeanette starts going to school ("The Breeding Ground") and confides in her mother about her feelings for another girl ("Unnatural Passions"), she's swept up in a feverish frenzy for her tainted soul. Confused, angry and alone, Jeanette strikes out on her own path, that involves a funeral parlour and an ice-cream van. Mixed in with the so-called reality of Jeanette's existence growing up are unconventional fairy tales that transcend the everyday world, subverting the traditional preconceptions of the damsel in distress.
In Oranges Are Not the Only Fruit, Winterson knits a complicated picture of teenage angst through a series of layered narratives, incorporating and subverting fairytales and myths, to present a coherent whole, within which her stories can stand independently. Imaginative and mischievous, she is a born storyteller, teasing and taunting the reader to reconsider their worldview. --Nicola Perry
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"She is a master of her material, a writer [of] great talent." -"Muriel Spark"
"Many consider her to be the best living writer in this language." -"Evening Standard"
"The overwhelming impression of her work is one of remarkable self-confidence, and she evidently thrives on risk.... As good as Poe: it dares you to laugh and stares you down." -"The New York Review of Books"
"The most interesting writer I have read in twenty years." -Gore Vidal
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This is just one of the many brilliantly quirky remarks of Jeanette that sparkle throughout Oranges. What so stands her apart from other modern writers in this novel is her signature frank style of writing - a refreshingly clean and matter-of-fact narrative, yet so flawlessly precise and so perfectly encapsulating of the emotions behind different experiences in life. Jeanette's idiosyncratic writing is one where every sentence shines with unadulterated beauty and raw poetic force. Her rare sensitivity and affinity with words and language itself is more than amazing - it is magical.
Oranges is more than Jeanette's autobiography weaven amidst fairytale myths and parables. It is more than a story about the struggle between religion and sexuality. It is the the story of all of us, it is our story. The betrayal of parental figures, the driving force of budding sexuality, the mixture of indifference and indignance towards an ex-lover, the innate loyalty to family deep within, all these are passages of life we all walk through, yet how often is it so penetratingly and unforgettably recorded in a chronicle that will be read again and again for many generations to come. Jeanette is the voice of a generation crying out for independence and the need to be true to our hearts; she is the hidden voice of all of us.
That perhaps is what really makes Oranges so special and personal, that behind Jeanette's dazzling prose we hear our story, our voice.
Jeanette is more rebellious than her religion can allow her to be. She is interested in her sexuality and she experiments with her close friend Melanie, though due to their strict upbringings they are both quite naïve in this respect- neither of them really understand what they are doing. When her church community find out about their encounters, they rigorously exorcise Jeanette, and put her through several other punishments in the hope that her suffering will cleanse her. This may not be a common practice today, but it is often still a very Christian view, and Winterson is somewhat ruthless in portraying it.
There is more to the book than its sexual theme, however. The novel demonstrates the classic clash between an older and younger generation, particularly within a faith that is not willing to evolve with the ages. It is also a journey of self-discovery for Jeanette, and her quest to find her own truth outside of the religious conformity and authority she has always known.
Jeanette's mother has little tolerance for things she disagrees with, and she sees everything in black and white: to her, there is God and The Devil, and there is nothing in between. Hence, she tells Jeanette that 'oranges are the only fruit', but Jeanette is not convinced and is driven to seeking out other types of experience or way of life.
As a first novel Oranges Are Not the Only Fruit is strikingly original and full of literary merit. Personally though I found the book hard to follow, as the themes Winterson uniquely covered at the time of release are now prevalent in many novels, so I found them to be a tad repetitive. I also struggled with some of the language in the book. It is not difficult to read exactly but I found that it took a lot of work to get through, as there is so much to think about in it. I think Oranges is perhaps better as a studied text than a book read for pleasure. I will add however that I am a fan of Winterson, and I think some of her other works which are far more enjoyable than Oranges have been overlooked by the critics.
I first read this book many years ago and thought it was ok but nothing in particular. I have just re-read it for our local book group and have laughed so much. I never noticed this before. The book hasn't changed of course, but it's obvious that a reader's taste can change over time. The work is not presented in jokey form but so many dead-pan remarks from the young Jeanette really amused me. She doesn't take herself seriously and is very non-judgemental about others.
This is a remarkable book and justifiably popular.
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