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You Only Live Once [DVD] [1937]
 
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You Only Live Once [DVD] [1937]

DVD ~ Sylvia Sidney
4.5 out of 5 stars See all reviews (2 customer reviews)
RRP: £9.99
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Customers buy this item with The Big Heat [DVD] [1953] DVD ~ Glenn Ford

You Only Live Once [DVD] [1937] + The Big Heat [DVD] [1953]
Price For Both: £14.67

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  • This item: You Only Live Once [DVD] [1937] DVD ~ Sylvia Sidney

    In stock.
    Dispatched from and sold by Amazon.co.uk.
    This item Delivered FREE in the UK with Super Saver Delivery. See details and conditions

  • The Big Heat [DVD] [1953] DVD ~ Glenn Ford

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You Only Live Once [DVD] [1937]
74% buy the item featured on this page:
You Only Live Once [DVD] [1937] 4.5 out of 5 stars (2)
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Product details

  • Actors: Sylvia Sidney, Henry Fonda, Barton MacLane, Jean Dixon, William Gargan
  • Directors: Fritz Lang
  • Writers: C. Graham Baker, Gene Towne
  • Producers: Walter Wanger
  • Format: Black & White, PAL
  • Language English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 12
  • Studio: Cinema Club
  • DVD Release Date: 9 Aug 2004
  • Run Time: 93 minutes
  • Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
  • ASIN: B0001Z6544
  • Amazon.co.uk Sales Rank: 21,018 in DVD (See Bestsellers in DVD)

Reviews

Synopsis
Henry Fonda and Sylvia Sidney play ill-fated lovers in Fritz Lang's fatalistic psychological thriller, You Only Live Once. The film opens as Joan (Sidney), a secretary in the public defender's office, excitedly awaits the release of her thrice-convicted criminal lover Eddie (Fonda). The two try to build a life together, despite the scepticism of Joan's sister and boss, and succeed for a while until destiny seems to take control. Eddie butts up against a society that refuses to give ex-cons a second chance and tumbles back into contact with old gang connections. When he winds up back in jail--this time with a death sentence--he once again escapes only to commit a murder in the process and take Joan and their new baby with him as he wildly flees. The images are stark, as Lang darkly portrays the doomed couple's headlong descent through a cold society and the inescapable forces of fate. The suspense runs high and the cinematography is sweeping as the camera follows the couple from their ramshackle honeymoon to their desperate getaway and ultimately to their tragically climactic demise. Fritz Lang's obsession with fate and the moral dualism of society and its criminal underground as depicted in his earlier films, Destiny, M, and Fury, is precisely expressed anew in this brutal and uncompromising film that paved the way for Bonnie and Clyde and Natural Born Killers.

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Customer Reviews

2 Reviews
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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13 of 14 people found the following review helpful:
4.0 out of 5 stars The first outlaw couple movie?, 8 April 2005
Henry Fonda commands our attention here with a riveting, almost method-style performance as Eddie Taylor, an essentially good kid driven to the bad by Depression-era poverty, social discrimination and sheer dumb luck. As the nice girl who stands by her man right to the end, Sylvia Sidney is less convincing. But her transition from naive optimism to despair as Eddie's attempts to go straight are sabotaged by prejudice and bad breaks, and finally to reckless joy as the couple embrace fate and go on the run, is undeniably touching. Fritz Lang's direction is generally taut, visually unobtrusive and noirishly atmospheric on occasion (during the fog-shrouded prison-break sequence, for example). He marshals the viewer's sympathies for the unlucky social outcasts to great effect, and gets in some well-aimed blows at hysterical public attitudes towards crime, an irresponsible populist press, and a self-serving penal and judicial system. The film does concede that sympathetic representatives of the system exist, but as isolated individuals they are incapable of making it more responsive to the needs of the downtrodden and unfortunate who are ultimately crushed by the relentless grinding of its impersonal gears. Only when they've completely rejected social conventions and embraced their outlaw status do Eddie and Joan find freedom and happiness, anticipating later 'counterculture' outlaw-couple classics like They Live By Night, Bonnie and Clyde and Thelma and Louise. Lang's America is here a nasty, cold, unforgiving place, thrown into stark relief by the passion and energy of Fonda and Sidney as the idealistic young couple who live life rather than stifle it. The splendid DVD transfer makes this classic statement of 1930s liberalism even more enjoyable.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Switch this on and youll be hard pressed to forget cinema's fist voice of social consence , 31 May 2007
The angry young has been a mainstay of cinema his cathartic anger unleashed since man could talk on the silver screen a writers alienated frustrated and angry at the unfair prancing of wider society could find a new form to express their inner sorrow and unheard and damming view on the state of modern man and his callous action on to his fellow man.
You only live once is an early sincere and disturbing example of the genre of the angry young man bitten by the fangs of materlistic and selfish society a cinema proto type that would find success and appeal throughout the cinema of the world Amthabh Buchan , Hindi cinema Depardieu , France Richard Harris Britain etc etc. Marlon Brando James Dean became brand image of this genre in partnership with their levies.
Fonda did it first and best since cinema as a social voice was still a new found medium in this age before Loach or Osborne were in nappies taking their first steps to the kitchen sink here and in other classics such as ox bow incident and grapes of wrath
Henry Fonda plays a fundamentally decent man forced on to a road of ruin and crime through the vicitmsation of circumstance and weakness of will a recently released con he tries to go straight but is shunned by employers and demonized by neighbors for what he has been not what he is actively trying to be. This constant chipping away of his soul unearths a cathartic rage which will engulf him and his fragile lover.
it is a dark depressing experience with no offer of redemption or hope through it's narrative it simply shows the consequence of action and aftermath for wider society the cinematography is grainy and bleak industrial and soul draining the death of the noble and kind Father is a definite example of ones worst nightmare illustrated by way of cinema
You should watch this with a clear mind it is a moralistic film it draws strength from the central performance Fonda is moving and believable Hollywood first voice of social conscience an actor so passionately left wing that he ended up in a brawl with fellow screen titian and friend republican James Stewart.
Watch this you might be troubled afterwards but it might provide some considered thoughts on society and the implications of all our actions A film that is as relevent today as it was nearly seventy years ago and that is no small acheivment

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