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Onitsha
 
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Onitsha (Paperback)

by J.M.G. Le Clezio (Author)
4.5 out of 5 stars See all reviews (2 customer reviews)
Price: £10.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Paperback: 206 pages
  • Publisher: University of Nebraska Press (1 Jun 1997)
  • Language English
  • ISBN-10: 0803279663
  • ISBN-13: 978-0803279667
  • Product Dimensions: 20.3 x 15.7 x 1.5 cm
  • Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 56,778 in Books (See Bestsellers in Books)

Product Description

Review
"Le Clezio is an intensely atmospheric, nearly hallucinatory writer, and in his riveting and eviscerating short stories, dreams turn inexorably into nightmares."--Booklist Mentioned in The New York Times (Paperback Row) December 28, 2008

Product Description
"Onitsha" tells the story of Fintan, a youth who travels to Africa in 1948 with his Italian mother to join the English father he has never met. Fintan is initially enchanted by the exotic world he discovers in Onitsha, a bustling city prominently situated on the eastern bank of the Niger River. But gradually he comes to recognize the intolerance and brutality of the colonial system. His youthful point of view provides the novel with a notably direct, horrified perspective on racism and colonialism. In the words of translator Alison Anderson, "Onitsha" is remarkable for its "almost mythological evocation of local history and beliefs." It is full of atmosphere - sights, sounds, smells - and at times the author's sentences seem to flow with the dreamy languor of the river itself. But J. M. G. Le Clezio "never lets us forget the harsh realities of life nor the subsequent tragedy of war." A startling account - and indictment - of colonialism, "Onitsha" is also a work of clear, forthright prose that ably portrays both colonial Nigeria and a young boy's growing outrage. J. M. G. Le Clezio, one of France's best-known contemporary writers, was born in Nice in 1940 and has published more than twenty novels and non-fiction works. In the course of the last three decades Le Clezio has won numerous prizes, including the Prix Renaudot for his first novel. His works have been translated into many languages. His most recent works translated into English include the novel "The Prospector and a collection of essays", "The Mexican Dream". Alison Anderson is the author of "Hidden Latitudes". She has worked as a writer, translator, and teacher and currently lives in Mill Valley, California.

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Customer Reviews

2 Reviews
5 star:
 (1)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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26 of 27 people found the following review helpful:
5.0 out of 5 stars "Now he knew that he was in the very heart of his dream... ", 17 Nov 2008
By Friederike Knabe (Ottawa, Ontario Canada) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
Memoirs or fictional accounts of childhood experiences in Africa have become popular in recent years, in particular by Africans having escaped the horrors of war. They express a need to reconnect with their roots and its lasting influence on their lives. JMG Le Clézio's fictional treatment of his own formative time in Nigeria as a child has resulted in this powerful and alluring novel. Written in 1991 with the hindsight of historical events, most of the narrative is set against the harsh realities of colonial Nigeria in 1948/49 where revolts against the British had been increasing and, at least for one protagonist, the "end of the empire" was already in the cards. The story concludes twenty years later at the time of the brutal Biafra war, fought by the then independent Nigeria. In a lucid, yet often poetic language Le Clézio effortlessly blends an intimate portrait of his young hero, Fintan, his family and the personal challenges they confront with a sweeping impressionistic depiction of a real, yet also mystical place in its cultural and historical context.

During the month-long sea voyage from France to the remote Nigerian town of Onitsha, the twelve-year old Fintan experiences a rainbow of emotions: joyous anticipation as well as anxiety about their new home, homesickness and, above all, a sense dread of the father he never knew. The intimate relationship to his mother, Maou, short for Marie-Luisa, may be under threat in the new circumstances. Maou, Italian-born and desperate to leave her difficult life of prejudice behind, dreams of an Africa that is wild, idyllic and beautiful. It will also finally reunite her with her beloved husband. The romantic Geoffroy, whose fascination with Africa goes way back, had been caught up in Africa during all of WWII, and had finally, in 1948, asked his family to join him.

Reality is usually very different from dreams and all three main characters have to go through crises, substantial change and learning before they can find themselves and, hopefully, each other. The author lets the reader follow the path that each takes in their unique way. Fintan, an uncomplicated and receptive youth, has the easiest time in absorbing the new surroundings, literally throwing off his black shoes and woollen socks to follow his new friend Bony running barefoot through the long grass of the savannah. The boy, son of a local fisherman, increasingly takes the role of Fintan's guide into the mysteries of the local culture and religion. For example, when Fintan, unthinkingly destroys termite mounds, Bony chides his friend for having attacked the gods of nature. There is playfulness in the way they explore hidden paths to the river and its islands. Mystery abounds not least in the persons of Sabine Rodes, the eccentric loner who seems to live in a different universe from the British community, his "adopted son" Okawho and, above all Oya. Young Oya, whose name means "river goddess" in the local language, appears from nowhere and seems to live outside real time or space. Not only Fintan is completely mesmerized by her eerie beauty and behaviour...

Events also force Maou to adjust her dreams to the realities she encounters. Onitsha is a busy, British-run, urban trading centre, disconnected from the traditional way of life of the ancient cultures and religions and the natural idyll she was seeking. Her open-mindedness and sense of fairness towards the African population quickly brings her into conflict with the colonial establishment. Through her, Le Clézio expresses his strongest critique of colonialism while at the same time imparting her increasing sense of comfort and appreciation of her African surroundings and newly won friends. Whereas Geoffroy has become a middling bureaucrat in a trading company, his obsession with Africa has not diminished. He is unfeeling and overly strict towards his son and apparently uncaring towards his wife. While he becomes increasingly remote from daily life, he is absorbed in his search for clues as to the locality along the Niger river of a lost Meroë empire, refuge for the descendents of the last empress after they had to abandon the ancient city of Meroë in Upper Egypt. Geoffroy's sections in the novel are set apart from the rest of the flow of the story. They combine his personal quest with glimpses into this history-rich and culturally diverse region marked by the mighty Niger, a trading route for thousands of years. Le Clézio's concluding chapter - reflecting on the twenty years since the journey started - is deeply moving and satisfying.

The author's own experience percolates through his narrative and imagery. His detailed descriptions, evoking the beauty of landscape and the creatures inhabiting it, demonstrate an intimate knowledge of these surroundings: the magnetism of the powerful and mystical river on the peoples who live along its banks; the impact of the change of seasons and the play of colours and sounds from the early mornings to the setting sun in the mist after the heavy rains. The intimate connectedness between daily life and the spiritual realm is particularly well and sensitively conveyed. [Friederike Knabe]

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3 of 3 people found the following review helpful:
4.0 out of 5 stars Onitsha, 21 Feb 2009
By I. Lolossidis (London, UK) - See all my reviews
(REAL NAME)   

This is the first novel I read by J.M.G Le Clezio and I must say I found it to be quite different from anything I have ever read. Despite it being quite short, it is very deep and I feel that I missed a lot of the underlying themes. I don't think this should put anyone off though, instead it should be embraced and enjoyed especially when being read more than once!
Fintan and his mother, Maou, travel from France to Nigeria to a small, hidden-away village which goes by the mysterious & exotic name of Onitsha. The description of the sea-voyage itself is captivating and I am not exaggerating when I say that I almost felt I was making the voyage myself. The whole novel is written in descriptive language which at times seems very mythical and dream-like, especially during descriptions of ancient traditions and rituals and when depicting the fascination Geoffrey (Maou's husband)has for Africa. There is a distinct difference in the way Maou interacts with the locals compared to the colonialists already living there; this serves to illustrate the negativity associated with colonialism,the way it disrupts and destroys the local life and customs.
I recommend this book to serious readers who will be able to fully enjoy it and understand it (as the language is moderately challenging and long descriptions do constitute most of the book) and manage to get the most out of it.
The reason I gave it 4 stars and not 5 is because I found some paragraphs to be too abstract for my taste, all about'mythology' and traditions and furthermore Oya herself was quite disturbing and strange in my opinion(which is part of her allure I guess but it still served to alienate me )
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