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Review For newcomers, there are two Petes among this quintet: bassist Pete Cattermoul and co-guitarist Pete Hefferan. But lead vocalist Tom Sanders is the band’s emotional heart and soul, with enough melodies at his disposal to also fuel his solo sideline, Tap Tap. But the Pirates are the main draw, and One Thousand Pictures is almost insanely catchy. It’s also a step on, witnessed by the heavier guitar fest and gorgeous keyboard squiggle in the opening Can’t Fish. Cold Black Kitty is equally ramped-up and electronically tweaked while the irresistible chug of recent single Come to the Bar is part-driven by burbling and pinging synths. It’s the album’s most euphoric chorus, which nails an everyday emotion – Sanders pleads with girl to just come back, and then go down the pub – with an eagle eye. With his attractively nervy voice, he always sounds haunted by ye olde girl trouble: "My tail’s between my legs now," he cowers with emasculated honesty on the downbeat Washing Powder. But sometimes he scores. On current single United, he sings, with tangible glee, "I just think it’s funny how we are united, on the carpet."
With these perfect nuggets of hormonal pop, Pete & The Pirates may not be courageous or sophisticated but they will make you want to jump around the room – even when you’re empathising with Sanders’ woes. Perhaps 13 tracks is two tracks too many (it flags toward the end), so you might want a breather now and again, but in the words of Little Death’s best track: come on feet! If only more indie-pop had half the nous and route-one fun of One Thousand Pictures.
--Martin Aston
Find more music at the BBC This link will take you off Amazon in a new window
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