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| Disc: 1 | |||
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| 1. Travelling Solo | |||
| 2. Oxford City | |||
| 3. Endless Sky | |||
| 4. The Lily Of the West | |||
| 5. One More Day | |||
| 6. High Germany | |||
| 7. Hey, Hey Solider | |||
| 8. Willy Of Winsbury | |||
| 9. Somali | |||
| 10. Manuel | |||
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| Disc: 2 | |||
| 1. Bramble Briar | |||
| 2. Sally Free And Easy | |||
| 3. Kingfisher | |||
| 4. Come Back Baby | |||
| 5. When I Was In My Prime | |||
| 6. Meat On the Bone | |||
| 7. Chasing Love | |||
| 8. The Bonny Boy | |||
| 9. Chasing Love | |||
| 10. Cruel Sister | |||
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Review The first fruit of the collaboration, the One More Road album, appeared in 1994, garnering healthy reviews. On it, McShee's crystalline voice showed no sign of wear, lending a luminous soprano yearning to the traditional 'Will Of Winsbury' and an uncharacteristic contralto ache to the band composition 'Travelling Solo'. Jansch was also on fine form - his distinctive picking style both decorous and propulsive on 'Oxford City', his lugubrious vocals leading the picaresque American pioneering yarn, 'Lily Of The West'. Though Kirtley's sinuous solos occasionally hit the spot, the three new recruits are generally rather anonymous - less integral band members, more supporting players. The album suffers too from its overly clinical, squeaky clean, early '90s production - too much reverb, too much gloss, not enough flesh and blood.
Live 1994 is more spirited affair and technically jaw-dropping at times. 'Bramble Briar' floats on a lovely tangle of interleaved guitars, instrumental 'Kingfisher' is MOR blues-jazz injected with adrenaline urgency and 'Sally Free And Easy' is elegantly languid folk rock, with Jansch and McShee's contrasting voices entwining before Kirtley takes things home with a coruscating solo apparently on loan from Robert Cray. Much of the rest exudes an esprit de corps missing from the studio album and, being the band's ostensible swansong, provides a more fitting testament to what was, even in 1994, an enduring British musical institution. --David Sheppard
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