If, as I did, you have read Hawks' first two books and loved them, then you'll find it hard to be disappointed. Tony's new challenge, for once not taken on under the influence of alcohol, but rather an attractive lady, is to have a Top Twenty Hit anywhere in the world, in order prove that as the creator of "The Stutter Rap" , he is no One Hit Wonder. He has two years to do it, but this time round there is no clear-cut forfeit like money, or even dignity! With no tangible forfeit should he lose, you'd be forgiven for wondering if Hawks was undertaking a half-hearted challenge - however, what touchingly emerges as the real prize of success is Hawks' self-belief in his abilities as a songwriter.
Like his previous bets, Tony's new task takes him all over the world. He scours Nashville, Sudan, Holland and finally Albania in his search for a hit, amassing a small but varied catalogue of songs as he goes. As ever, his dry observations of the people and places elicit quite a few chuckles. However, it's the sections covering his time in Sudan and Albania that really stand out. Hawks' primary objective in Sudan is to write on his experiences, in order to raise funds for UNICEF, and as in Moldova, Hawks' writes with touching empathy as he describes the conditions in Sudan and the daily troubles of its people. However, the moving subject matter doesn't drag the lighter moments down, and the introspective moments blend well. The Albanian section however, is a real joy, mainly due to Hawks' ability to wrest every comic ounce out of the ludicrous situation he has found himself in. Hawks recalls that Norman Wisdom is adored and revered in Albania (and readers are left in no doubt as to just how much), so Tony, along with Sir Tim Rice (yes, Sir Tim Rice!), pen a catchy song to this effect. Add to this a backing band, some toy instruments and a tour of Albania with Sir Wisdom himself, and you have a laugh-out-loud funny and upbeat (if slightly surreal) end to the challenge.
If there is a downside to the end of the book, it's the feeling of unfinished business with both the instigator of the bet, and a well known record producer, who Tony met along the way. The book does conclude on an upnote though, and at the reader can at least look forward to the prospect of Hawks' making a certain somebody eat their words (or a large novelty-shaped cake).
I won't reveal whether or not Tony met his challenge, but I'm positive that "One Hit Wonderland" will be a hit in its own right.