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Taking another look at the picture after all these years, it's a surprise that all the unknown actors who seemed like real mental patients have graduated to becoming prolific character actor stars: Danny DeVito, Christopher Lloyd, Vincent Schiavelli, Brad Dourif, the late Will Sampson, Sidney Lassick, Michael Berryman. Unlike many Best Picture Oscar winners, this deals with profound subject matter without seeming self-important: Forman's approach and all-round great acting make it play as a small character story as well as a Big Statement about the human condition. Full marks also for Jack Nitzsche's musical saw-based score.
On the DVD: One Flew Over the Cuckoo's Nest comes to DVD in a two-disc special edition with a great-looking anamorphic 1.85:1 print and 5.1 Dolby Digital soundtrack, plus tracks in French and Italian and optional subtitles in half a dozen languages. Disc 2 has the trailer, about 13 minutes of deleted scenes (mostly from the first third of the film, and all pretty good) and a making-of retrospective documentary with interesting material from producers Michael Douglas (who inherited the rights from Kirk) and Saul Zaentz, Forman, screenwriter Bo Goldman and many cast-members (though not Nicholson). There's also a commentary track by Forman, Douglas and others which repeats a few things from the documentary but also goes into more scene-specific detail about the development and shooting. --Kim Newman
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What an unbelievably brilliant piece of work.
I wonder whether Nicholson has even yet had full recognition for the truly great actor he is (how many people have even seen The King of Marvin Gardens, for instance?) His screen presence is enormous, magnetic and menacing. He combines outsize testosteronic individuality with the ability to get inside a character, and an electric sense of threat with a real power to tug at the heart-strings. Bad he may be, but unsympathetic never. He is a very big little guy, but he is still the little guy against the system. It must be impossible, surely, to upstage that?
Incredibly, no. The ultimate star in a film that has no shortage of up-and-coming luminaries as well as Nicholson (D de Vito for one) is Louise Fletcher as Nurse Ratched. I am never going to forget that mask-like expressionless face and that ever-rational, implacable, ever-modulated voice mouthing those soulless, uncomprehending, the-system-is-right banalities. Above all, I am never going to forget that hair. Among the many touches of genius in this production, that hairstyle is the ultimate. I simply could not take my eyes off it. The name is effective too, and I shall continue to believe until someone proves me wrong that it was an inspired borrowing from Jane Eyre -- the dreadful and sadistic Miss Skatcherd brought up to date and given a 20th-century twist.
This film is never going to become dated as long as these polarities continue to repel each other. I saw it at all only because my son showed it to me. It is relevant to my generation, it is relevant to his, and I can't foresee when it is not going to be relevant.
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