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One Day I'm Going to Soar CD


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Frequently Bought Together

One Day I'm Going to Soar + Searching For The Young Soul Rebels + Let's Make This Precious: The Best Of Dexys Midnight Runners
Price For All Three: £18.86

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Product details

  • Audio CD (4 Jun 2012)
  • Number of Discs: 1
  • Format: CD
  • Label: BMG Right's Management
  • ASIN: B0078ZYXSA
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (89 customer reviews)
  • Amazon Bestsellers Rank: 5,666 in Music (See Top 100 in Music)

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. Now 6:47£0.99  Buy MP3 
Listen  2. Lost [Explicit] 3:00£0.99  Buy MP3 
Listen  3. Me [Explicit] 4:17£0.99  Buy MP3 
Listen  4. She Got a Wiggle 4:27£0.99  Buy MP3 
Listen  5. You 3:32£0.99  Buy MP3 
Listen  6. I'm Thinking of You 7:02£0.99  Buy MP3 
Listen  7. I'm Always Going to Love You 5:38£0.99  Buy MP3 
Listen  8. Incapable of Love 5:29£0.99  Buy MP3 
Listen  9. Nowhere Is Home [Explicit] 4:57£0.99  Buy MP3 
Listen10. Free [Explicit] 3:44£0.99  Buy MP3 
Listen11. It's O.K. John Joe 7:54£0.99  Buy MP3 

Product Description

Product Description

Fourth studio album by the band formerly known as Dexys Midnight Runners. Their first album since 1985's 'Don't Stand Me Down', it has been well received by critics and includes the singles 'She Got a Wiggle' and 'Free'.

BBC Review

A quarter-century on from the last Dexys Midnight Runners album Don’t Stand Me Down (mocked upon release, now recognised as a work of genius), Dexys (so named because, says Kevin Rowland, “It’s the same, but also not the same”) return. Recent live shows induced collective rapture in audiences. Can the ‘comeback’ album possibly live up to expectations? It can. It certainly can.

Mention the unlikely 80s chart-toppers and some may recall the soul stylings of Geno, many more the violins and dungarees of Come On Eileen. True believers know it went a lot deeper, further, darker and brighter than that. Rowland sought a level of purity and intensity in the music that, while a triumph to those who embraced it, scared the herd mentality of the music press. He lost his path and confidence for a while. Now, more relaxed, showing the sense of humour that was always there but was oft-misunderstood, he’s created an album that’s equal parts confessional soul and theatrical music hall, and wholly sincere and spectacular.

There’s a narrative, autobiographical thread throughout the songs which traces a man’s maturing from doubt and over-analysis (Now, Lost) through relationship traumas (Incapable of Love) to epiphanies of individuality and self-acceptance (Free; the beautiful monologue It’s OK, John Joe). Along the varied, verve-fuelled ride, there are moments of wry, poignant insight (Rowland’s he-said-she-said dialogue with Madeleine Hyland is both candid and comedic), rousing refrains (“attack, attack!” chant the band) and romantic uplift. Elsewhere, She Got a Wiggle is as sexy and yearning as the Al Green shuffles it emulates.

The musicians, from Mick Talbot to on-off Dexys lifers like Pete Williams and trombonist Big Jim Paterson make every switch resonate, from airy Roxy swoons to earthy folksy stomps, while Rowland’s voice is more dauntingly expressive and piercingly heartfelt than ever. Nobody since Chairmen of the Board’s General Johnson has made interjections like “Huh! Huh!” sting so.

There is so much personality, poetry, vulnerability and resilience here that most other records sound like dry runs by comparison. Dexys are back with wisdom and wings. Some of us never doubted.

--Martin Longley

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Customer Reviews

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Most Helpful Customer Reviews

84 of 87 people found the following review helpful By Red on Black TOP 50 REVIEWERVINE VOICE on 4 Jun 2012
Format: Audio CD
So it turns out that Homer Simpson was right when he predicted in a classic episode of that great show "you haven't heard the last of Dexys Midnight Runners". True its taken some 27 years for the band to return with this album and much water has passed under the bridge with the controversy of Kevin Rowland's solo output, a short reunion tour in 2003 and a growing feeling that this new record which Rowland kind of promised in 2005 would never materialize. But here it is and it's wonderful. Let us pause at this point for a small detour since some critics are stating its Dexys best record ever. This is questionable since "Don't stand me down" remains one of the most precious bits of vinyl in many a discerning record collection and while "One day I'm going to soar" is a splendid record it contains nothing in its grooves like the incredible majesty of "This is what she's like". Nevertheless after this hiatus all sensible predictors could not have anticipated an album quite so rounded, thoughtful, cathartic and packed with great songs. The 58 year old Kevin Rowland remains one of the most potent and original forces in British music and while that voice might not be quite as soaring as it once was it has grown with stature and learned maturity into a truly brilliant instrument.

All shades of the human experience are to be found in the grooves of this record not least ageing, love, dejection and rejuvenation. On the lead single "She got a wiggle" we see a silly title hide one of the most gorgeous Al Green inspired songs that Rowland has penned. It's all dark and burning with passionate intensity.
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5 of 5 people found the following review helpful By Colpeper on 11 April 2014
Format: Audio CD
Twenty-seven years after the release of their last studio album proper, the disastrously received Don't Stand Me Down, soul impresario Kevin Rowland and a re-formed and re-christened Dexy's have returned from the wilderness with a wonderfully innovative record One Day I'm Going To Soar. Rowland, now 58, has spent the best part of three decades battling drug addiction and depression, To his credit he's been remarkably open about the part he's played in his own downfall " I know that I've been crazy and that cannot be denied he sings on bristling soul opener, Now. The full extent of his insecurity and paranoia though is fully revealed on his meditation on fame and fortune, Me, " people don't respect me, don't seem to like me, they take the p*** out of me". This may make the album seem something of a joyless affair, however the Rowland who penned all time classic pop songs like Geno and Come On Eileen is in evidence throughout. There are tender laments, ,tragi-comic show tunes,( with the scene stealing Maddy Hyland) anguished ballads and hand on heart monologues, all equally memorable in their own right. Quite simply there is no one else out there capable of writing songs in the uniquely stylised manner of the albums tour de force, It's Ok John Joe, an unutterably sad mea culpa on his life long failure to find lasting happiness. By the songs close Rowland's is forced to console himself with the pretence that "it's not the end of the world, I don't care, I don't care if I'm alone". Perhaps, though, there is a different form of consolation due him, at long last, in the universal acclaim afforded One Day I'm Going To Soar. This is a triumphant return for the old soul rebel.
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15 of 17 people found the following review helpful By Littlegrafter on 12 July 2012
Format: Audio CD
Its been a strange 30+ years with Dexys for me. They were almost my first gig back in 1981 at the tender age of 13 but I bottled it. Geno is easily my favourite No 1 of all time. There There My Dear possibly my favourite song to dance to, and yet back in the day I never bought an album of their's, God knows why not. I have them now but have never poured over them with the relish I would have got in my youth. And so along come this after 27 years, and boy is it worth it. First play, interesting second and third plays, you realise how much you remember the songs from the first play, whereas I have albums I claim to rate that after 10+ listens you still think "I've never heard this before", not surprising, just unremarkable.

After about 10 plays this is up there with the very best and can only improve its standing after seeing them Live in September (even though they wont do Geno or TTMD).

As for the drumming, dont be so harsh. What you are hearing is the sound of a drummer, (I am one, so I feel slightly justified in saying this). The recording of this album sounds so naked its almost as if there's no production at all. This is what bands sound like in the flesh, nearly all albums these days are compressed to hell. There's very little quiet allowed on the product. Play this one in the car however and you miss half of it, the quiet is quiet, the loud is loud, the drums are ... well drums. So its not bad drumming, its just real drumming.

For now though, the best record ever made!

...Did I really say that?
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1 of 1 people found the following review helpful By MR J STOCKLEY on 8 Jun 2014
Format: MP3 Download Verified Purchase
Too-rye-ay was the first album I ever got, probably christmas '82, at the age of 10 and I have never stopped listening to it and Dexys other albums over the next 30+yrs.
So how did this one escape me when released a couple of years ago?! I may be late to discover it but am so glad I did. I love how Dexys albums really work to their full when listened to as a whole and not just as singles, and no more is this the case then with One Day I'm Going To Soar.
Of course everyone will have favourite tracks, mine being 'Now', 'I'm always going to love you' & 'Incapable of love'. The later to me having quite a musical theatre feel to it.
I'm no big music reviewer, nor can I go into the meanings of songs etc. I'm just a long time lover of the sound of Dexys and haven't stopped listening to this for weeks now. Brilliant welcome return and quite possibly their best yet.
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