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Two CDs for £9 or MP3 for £3.99
*Buy this CD with another eligible title and pay no more than £9 for both (terms and conditions apply). Just look for any album with this message, put it in your basket with a second eligible title and the discount will be applied at checkout. Offer ends June 30, 2013. |
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| 1. The Thing Introduces... |
| 2. One-armed Bandit |
| 3. Bananfluer Overalt |
| 4. 220 V/Spektral |
| 5. Toccata |
| 6. Prognissekongen |
| 7. Book of Glass |
| 8. Music! Dance! Drama! |
| 9. Touch of Evil |
Review Led by Lars, Martin and Line Horntveth, this Norwegian ensemble are what all modern forward-thinking bands should aspire to – a group who don’t so much cut-and-shut man and machine (a la most indie-dance bands) as they do reconcile the two as a seamless, super-evolved, silver-plated being. Jaga Jazzist have been cutting through this fjord for 15 years now, moving from avant-jazz and lush post-club music to dazzling, horn-blasted future rock, and they show no signs of standing still.
Those worlds they’ve already visited – free-jazz, drum’n’bass, rock, electro – all pop up on One-Armed Bandit, but so do some mightily unexpected ones. Paying as much mind to jazz intellects as they do our collective booty, Jaga Jazzist have kicked out the jams on this fifth album, hitting a groovily propulsive, freaky, fun-loving patch of form by flying the “mothership,” as Lars once called the band, to the farthest reaches of electronic jazz-rock.
Tweaked with a heavy dose of prog, especially the becloaked OTT style of Zappa and Yes, this is properly cosmic stuff, bringing to the table FX-laden jams, afrobeat, Wagner-inspired bombast, baroque-inflected deep-funk and the knowing, horn-y sound of 1960s spy films, all of this intermingled with Jaga’s terrific fusion of breaks, synths, killer horn lines and taut, muscular rhythms. Few records in 2010 will contain songs quite so mind-bogglingly broad, playful, beguilingly pretty and intense as these slowly unfurling ensemble pieces.
Among the gems are the mathematical, angular post-rock of Prognissekongen and Music! Dance! Drama!, the latter doing what it says on the tin as it shifts between celestial electronics, sweeping horns and old-school car chase music rendered for an apocalyptic future. Tocatta is a fantastical, pulsing piece with glassy, repetitive melodies that acknowledges Steve Reich, while album closer Touch of Evil gallops along madly like a kind of ornate version of rave with touches of metal and Middle Eastern music. It’s difficult to imagine where on Earth they could go after this. --Chris Parkin
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