Everyone talked about the complicated plot of this film but I just assumed they were exaggerating for effect. I started to watch and could see that there was a bit of double-crossing going on, but nothing anyone with a bit of intelligence couldn’t follow. And then, right when I was at my smuggest, the plot took a 90-degree left-turn, disappeared into a tunnel and left me trying to catch up. So, yes, the film is nonsense, but it really doesn’t matter because its fantastic nonsense: great to look at, exciting, another top-notch soundtrack, and it doesn’t take itself too seriously at all.
Rodriguez is up to his old tricks of doing a dozen different jobs (cameraman, director, editor, composer, etc.) while half the people in front of the cameraman are old favourites from his other films (Danny Trejo, Cheech Marin, Banderas, Salma Hayek – only briefly in flashback). A couple of the extras on the disc show you how this means he can be more in control of the whole film as he can frame shots with the post-production effects in mind. Just like on the earlier Mariachi and Spy Kids films, the ‘Ten Minute Flick School’ gives you more hard information on film making than other 45-minute documentaries. The tour of Troublemaker Studios is really a tour of Roberto’s garage, because he has had it converted to a state-of-the-art digital editing studio. Another short film has Rodriguez showing how to cook the pork dish, which features heavily in the film – maybe he is trying to make it into a cult thing or something? Anyway, the extras are all watchable, perhaps even more than once, and the examples of how shooting with digital cameras makes it easier to factor in possible CGI effects is, perhaps, the most significant observation.
The action and violence is even more stylised than before. Maybe it’s a good idea to stop the series at three, as ‘Mexico’ reaches an optimum point of complexity and fancy: another sequel that went even further would be overkill. The whole point is that it is not realistic – it is meant to be entertainment not a documentary – but you can take it a bit too far. I think this film goes just far enough.
Did I mention that the film is funny too? The idea of a mariachi bar where men play their guitars, sing and have sex for money, while gorgeous women act like men in a lap-dancing club is the sort of thing that crops up, but is underplayed. It works when its an amusing backdrop to the action, but would not work if it was made to be the whole point of a scene. So, while the action is overplayed for effect, the humour is understated to equally good effect.
It is not necessary to have seen the other Mariachi films before this, although if you have you will get some of the in-jokes and references – but missing those references should not ruin the film for you. Actually, if you have not seen the other films, you might think about buying the box set and watching all three because its only going to set you back £8.50 extra to get El Mariachi and Desperado together with this one.
This film does not go from the sublime to the ridiculous: it is sublime *because* it is ridiculous, and it does exactly what it sets out to do, which is to entertain.
Best line:
“So you want me to shoot the cook?”,
“No. I’ll shoot the cook. My cars parked out back anyway.”
Best scene:
the shoot-out in the market, with ‘Pistolero’ by Juno Reactor blasting out on the soundtrack.