I saw the trailer for this on the internet, and liked the idea immediately: busker boy meets girl and they make beautiful music together. Conscious that this wasn't perhaps the first time that this storyline had been used, I wondered how they'd fare at steering past the obvious cliches, but I'd never have imagined they could be so wildly successful.
The hand-held camera makes you feel like you're watching a couple in the street, but they're so believable in their roles that you never suspect them of just acting. This is hard to do without some of the more obvious trappings of film, but it's totally compelling - just watch the subtle way Glen Hansard's character tries to master his confusion when he meets the girl's family in her bedsit. Or the way in which he teaches her his first song, which has to be the most accurate portrayal of this kind of scene I've ever seen. Or the final scene with his father, which appears to sum up the depths of a complex relationship with just a few lines.
Much of the film is given over to a careful attention on the music, with a generosity that's repayed many times over - there's a central, unbroken shot of her walking back from the corner shop late at night quietly singing to herself that seems to take a long time, but you realise that's just how it should be. To be sure, the instinct for avoiding cliche slips up sometimes: I wasn't surprised at the speed with which the recording engineer went from being cynical to impressed (though I was a bit surprised that the first song the busker decided to lay down was in 5/4, which is hard to dance to, at least).
But, especially considering the contrast with the previous film I saw Glen Hansard in (the disappointing
Commitments, which had great music but lousy acting), I don't think I've seen such a beautiful piece of work for a very long time.