Although my interest in the music of Mike Oldfield began with Tubular Bells I only really started collecting his albums in the late 80s. Usually it took a few listens to really appreciate his work but only one album ever impressed me on the first listen - Ommadawn.
In the past few years a number of acts have proclaimed themselves to be the first to produce Afro/Celtic fusion, but go back to 1976 and you will find that this album predates them all.
From its simple harp intro, Ommadawn builds up to a powerful guitar finale - and that's part one. I would agree with a previous reviewer that the final eight minutes or so of Part 1 are the finest eight minutes I have heard in my lifetime, as yet unrivalled.
A simple but enjoyable folk song completes the album. One of Oldfield's finest works. Another point to remember is that if you look at his first three albums - TB was a sort of rock album, Hergest Ridge was a sort of light classical, Ommadawn is different again. Each album has the Oldfield style, yet each is so removed from the other. Not many artists can pull off such radically different albums, especially now.