Dickens' tale of workhouse dehumanisation, middle-class arrogance, urban poverty, street crime and domestic violence balanced against moments of extreme tenderness and altruistic warmth is superbly conveyed in Lean's monumental cinema adaptation. Although significant parts of the novel are missing, such as the events occurring during Oliver's walk to London and his involvement in a botched house robbery in Chertsey, the overall impression is one of an enormous sensitivity to Dickens's work, particularly the characterisation - the fragile, victimised Oliver, the monstrous but likeable Fagin, the harrowing Bill Sykes and his wonderful dog Bulls eye. I recommend a look at Cruikshank's drawings which accompanied the novel - the likenesses to the actors in the film is remarkable. Cinematic moments of genius include the opening sequence with Oliver's mother, the snuffed out street lamp after Nancy's murder and Bulls eye's betrayal of his master. The foreshortened sets depicting the squalor and claustrophobia of early nineteenth-century working-class London are incredibly realistic. And to think this was all filmed in a studio lot at Pinewood! For me this is the best Oliver Twist on celluloid - I only wish David Lean had the time and money to make a much longer film and include all the bits of the novel that are missing.