I enjoyed this book for the insight it gave me into Goya’s work. His work marks a break in tradition when artists began to feel free to put their private visions on paper as opposed to simply illustrating known subjects. Goya worked for the establishment and at the same time accused and ridiculed it. I was impressed by his courage, cunning or possibly pure good luck in managing to do the two things simultaneously. I was struck by his need to continue working against all the odds – a trait of character which seems to distinguish genius.
Written by a biographer/novelist rather than an art historian, the book describes not simply Goya the artisan; Julia Blackburn also uncovers Goya’s personality, intimately and sensitively. Setting his life and work within its historical context she gives us a vivid and horrifying account of the Peninsular War and its aftermath.
She uses photographs of Goya’s etching plates for the illustrations which produces a reverse negative-positive effect. This gives the illustrations an eerie, unreal quality which seemed fitting for images which often portray bizarre apparitions and a truly nightmarish reality. I would however have appreciated a translation of the list of illustrations and specific references to them within the text, where relevant.
I liked the way Julia Blackburn fuses the experience of her mother’s illness and death with her telling of Goya’s story. This personal touch allows the reader to identify with the author and draws the reader more deeply into the weave of the story. Blackburn’s style of writing is natural and unpretentious making her gift for description, her imaginative power and the scope of her knowledge all the more enjoyable.