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Oh, Yeah?
 
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Oh, Yeah?

1 Mar 2010 | Format: MP3

7.92 (VAT included if applicable)
Buy the CD album for 15.30 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
1
6:42
2
3:32
3
4:44
4
4:30
5
5:24
6
5:05
7
4:49
8
6:43

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Product details

  • Original Release Date: 23 Feb 2010
  • Release Date: 23 Feb 2010
  • Label: Legacy Recordings
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 41:29
  • Genres:
  • ASIN: B0039153QI
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 117,577 in MP3 Albums (See Top 100 in MP3 Albums)

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Most Helpful Customer Reviews

11 of 12 people found the following review helpful By R. J. Heath on 9 Nov 2006
Format: Audio CD
'Oh Yeah!' is Jan Hammer's third solo album (the second for Nemperor Records). It is probably the one with the strongest element of straight jazz rock running through all the tracks. His earlier Nemperor album 'The First Seven Days' had more emphasis on electronica, hinting towards the future Miami Vice period. The first album had been recorded for the German label BASF: that straighter jazz. Now with the full catalogue of Hammer's solo and group albums available on CD, a clear progression can be heard as Hammer moved away from the jazz rock of Mahavishnu Orchestra, through funk and Latin towards straighter rock and then into electronica. The shift away from jazz rock, shown by a near absense on the third solo release 'Melodies', where Hammer and Co. were into funk (indeed lightweight soul) and more electronica. It should be noted that while Hammer's own music was moving slowly away from the jazz influences, he was also a prolific session musician, on call to provide his immediately identifable keyboard sound for the likes of Al DiMeola, John Abercrombie, Jeff Beck, Horace Arnold, Tony Williams and Elvin Jones during this period.

With 'Oh yeah!' you will get the tight interplay between violin and keys on some tracks, that had earlier characterised MO's music. But through use of funky bass lines - from both electric bass and low register Mini-Moog - we are treated to more soulful, groove-based jazz rock than experienced from MO, e.g. check the title track. Some soulful vocals add to this view. But what is perhaps unique for the time, was the funk with violin - although both Michael White and Michel Urbaniak were to release funky violin albums later. And then because of Hammer second musicial love, that of percussion, funk gives way to grooved-based Latin-jazz rock.
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Format: Audio CD Verified Purchase
This is flawless, virtuously played jazz-rock, a must for any connesseur of artistically performed LOUD music!
The tunes are great, I've been humming "One to one" for years after I, alas, sold my vinyl records. I'am glad to have this esquisite album back in my music collection.
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