Americana is experiencing a sustained period of popularity, and it is thanks to albums like this. Oh My God, Charlie Darwin takes Dylan's stoic harmonica and introduces it to the Eels knack for storytelling. They then layer that sound with a smattering of finger plucking before heading out to the barn with Tom Waits to jam until the sun rises.
This album has the uncanny ability to simultaneously recall an alt-folk hoedown and to allow for moments of restrained introspection. The Low Anthem hail from Rhode Island but their home is distinctly less Eastern-seaboard and more Mid-Western. The double indication lies in album closer `To Ohio (Reprise)' and second track `To Ohio', which start in Louisiana before heading North.
The gentle title track `Charlie Darwin' recalls a more melodic Band of Horses or a falsetto My Morning Jacket. This pretty voice comes on all the more gruffly for the stomping `Horizon Is A Beltway' and is positively growling for the moonshine-soaked square-dance that is `Home I'll Never Be'.
`Ticket Taker' is pure Everett of Eels fame and could well have come from their sparse and tragic
Blinking Lights And Other Revelations album. It also witnesses use of the much-undervalued clarinet. `Champion Angel' sounds like an early Kings of Leon record, before they went all stadium: stately in its Southern flavour and liberal harmonica.
Certain tracks are a little plodding and in isolation would struggle to captivate the listener (Cage The Songbird), but serve The Low Anthem as a satisfying, if uneventful, canvas on which to paint the stronger numbers. `Omgcd' eventually brings the album full circle, ending it in gentle, nodding strumming. The handclap percussion only adds to the warm production.
Darwin amazed the world with his theory of evolution and whilst this titular homage (and pun) may not have quite the same profundity, I think he would have thought it nevertheless a rather handsome beast, a product of natural selection, having opted to take the best bits of its stellar peers and use them to their alt-folk, country-stained advantage.