Given Crumb's countercultural weirdness and his penchant for big-bummed women, the title Odds & Ends given this collection is perfect--and surely must originate with Crumb himself!
Odds & Ends focuses largely (but not exclusively) on Crumb the "commercial" artist. Arranged more or less chronologicaly, the book reproduces cards he drew when working, in the early days, for American Greeting Cards; buttons for various causes; illustrations for grassroots community newspapers like "Winds of Change"; baby shower, wedding, and anniversary announcements; letter heads, business card illustrations, and book covers; political cartoons defending environmentalism and mocking Maggie Thatcher (she's depicted as a hen laying rotten eggs) and religious intolerance (a gorilla, thumping his chest and hooting, who wears a T-shirt with a Moral Majority logo); "high-end" sketch portraits (e.g., Woody Guthrie, Alan Dershowitz, George Jones) and a cover for the New Yorker; and wonderfully self-deprecating self-portraits, including one featuring Crumb holding forth to a sound-asleep interviewer.
The book's creme de la Crumb is the set of color and line illustrations Crumb drew for the 10th anniversary edition (1987) of Edward Abbey's The Monkey-Wrench Gang (a calendar featuring the drawings was also produced. I'd read about the illustrations in other places, but never had a chance to see them until running across Odds & Ends. They're absolutely wonderful, uncannily capturing Abbey's mad (but also refreshingly sane) gang of eco-heroes.
Crumb is perfectly recognizable in the illustrations collected here, and yet there's a freshness to the pieces that's captivating. Most of his fans, I suspect, will never have seen the majority of this work--at least I certainly hadn't. It's good stuff, well worth looking at and thinking about.