Remake of the 1960 Rat Pack heist classic, starring George Clooney as Danny Ocean, an ex-convict with a smart new plan to rob the casinos of Las Vegas. Gathering together a crack team - including his old friend Rusty (Brad Pitt) - Danny and the boys begin the meticulous preparations necessary to carry out the complex job, with pickpocket Linus (Matt Damon), con-artist Saul (Carl Reiner) and explosives expert Basher (Don Cheadle) all playing their part. Meanwhile, Danny continues to pursue his ex-wife Tess (Julia Roberts), who is currently dating the casino boss Terry Benedict (Andy Garcia). Directed by Steven Soderbergh ('Traffic', 'Erin Brockovich', 'Out of Sight').
improves on the 1960's Rat Pack
original with supernova casting, a slickly updated plot and Steven Soderbergh's graceful touch behind the camera. Soderbergh reportedly relished the opportunity "to make a movie that has no desire except to give pleasure from beginning to end", and he succeeds on those terms, blessed by the casting of George Clooney as Danny Ocean, the title role originally played by Frank Sinatra. Fresh out of jail, Ocean masterminds a plot to steal $163 million from the seemingly impervious vault of Las Vegas's Bellagio casino, not just for the money but to win his ex-wife (Julia Roberts) back from the casino's ruthless owner (Andy Garcia). Soderbergh doesn't scrimp on the caper's comically intricate strategy, but he finds greater joy in assembling a stellar team (including Brad Pitt, Matt Damon, Don Cheadle and Carl Reiner) and indulging their strengths as actors and thieves. The result is a film that's as smooth as a silk suit and just as stylish. --Jeff Shannon
On the DVD: Ocean's Eleven on disc is hardly swarming with special features, but just like all good heists it's quality not quantity that counts. The cast commentary is lively and it's nice to hear intelligent comments coming from Hollywood's big league for a change. However, it's the director and writer's commentary that is the real gem; it's funny, enlightening and most of all it allows Ted Griffin to put the case forward for all screenwriters across the world as to the importance of their craft. The main feature has an impressive transfer of sound and visuals, making the suits sharper and David Holmes' soundtrack even funkier. --Nikki Disney
--This text refers to an out of print or unavailable edition of this title.