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With each consequent album, Fear Factory gradually took a more commercial approach. The production is sharper, with less of an emphasis on the pulverising drumming and the riffs now have more of a staccato bounce to them. The song structures appear now to take a more traditional rock approach, and there are more samples, keyboards and sung sections. On the whole, this does lose a bit of the dark atmosphere of the last album, but makes for a more instantly accessible album.
There are nevertheless, as you would expect from Fear Factory, some nice innovative moments. For example: the use of scratches on the aggressive 'Edgecrusher'; the inventive rhythm behind 'Freedom or Fire'; the highly orchestrated 'Resurrection' and, perhaps most surprising of all, the haunting atmospherics of 'Timelessness', with its fantastic string arrangement.
The bonus tracks are actually very good as well. 'Cars' is a cover of a Gary Numan song, and features his guest vocals. 0-0 {Where Evil Dwells} is actually quite an inaccessible track: very slow, highly intense industrial music. The final three bonus tracks are all excellent, very heavy tracks which are more akin to Fear Factory's earlier stuff (Concreto is actually taken from the 'Demanufacture' recording sessions).
'Obsolete' is a must have, and is one of the key metal albums of the nineties. Just buy 'Demanufacture' first.
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