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O

O

24 Mar 2003

£3.49 (VAT included if applicable)

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Product details

  • Original Release Date: 24 Mar 2003
  • Release Date: 24 Mar 2003
  • Label: 14th Floor Records
  • Copyright: 2003 DRM under exclusive licence to 14th Floor Records
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 50:32
  • Genres:
  • ASIN: B001F54WGC
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (235 customer reviews)
  • Amazon Bestsellers Rank: 671 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

4.5 out of 5 stars

Most Helpful Customer Reviews

31 of 31 people found the following review helpful By A Customer on 3 July 2004
Format: Audio CD
i first heard of Damien Rice when I saw him perform his song "Cold Water" on TV on the Jonathan Ross Show. During the performance I was so amazed at how good the song was and how amazing his voice was. On the strength of this one performance I bought his album "O". When I put it in my CD Player it didn't come back out again- it still hasn't!
It is one of the most amazing albums I have ever had the privelage to listen to. Every song is strong and single worthy, there are no so-called "album fillers." The album is beautiful, emotional, delicate and touching. Songs such as "Delicate," "Cold Water" and "The Blower's Daughter" actually bring tears to my eyes. Every song is stunning and the whole album is a masterpiece. The sound is kind of folk,sometimes gentle rock, but always beautiful. This album is a must buy, a necessity in anybody's record collection. I urge you to buy it, you won't be disappointed, if you are, I'll personally give you your money bacK!
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25 of 25 people found the following review helpful By N. A. Warbis on 25 Feb 2005
Format: Audio CD
I go back a long way (Pet Sounds, Rubber Soul, Blood on the Tracks long) and I rate this album up there with the very best. Damien Rice is hard to classify as a singer. He reminds me of David Gray, Portishead, Eels, Coldplay, Jeff Buckley, early Springsteen and Nick Drake, at different times, but his sound cannot be so easily defined. Every track is incredibly beautful, haunting, lyrical and challenging and as a result the album does take a bit of getting into, but it's more than worth the effort. What at first appears to be a surrealistic kaleidoscope of musical and lyrical imagery soon becomes an incredibly coherent and moving masterpiece. It may not be everybody's idea of a fun evening. My wife thinks it is depressing and miserable and detests it, but she also dislikes Bob Dylan and just about everyone mentioned earlier in my review. (I didn't marry her for her taste in music) You may love it, you could hate it, but you are unlikely to be indifferent about this exceptional album. Don't go through your life wondering whether you might have liked Damien Rice - risk it like I did. You may find you've turned up a real gem.
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18 of 18 people found the following review helpful By Jw Heaton Armstrong on 8 Oct 2003
Format: Audio CD
A friend of mine brought this album over 4 days ago, and I musthave listened to it 50 times following. Further to this I have also booked tickets to go and see him live; this guy is phenomenal.
The beauty of his music is often in its simplicity, not unlike Leonard Cohen, but also the feeeling of the Lyrics. Eachsong conveys a very clear message to the listener. However, the acoustic feel of guitar and then rising strings make you feel you're almost in the music. The music always compliments the heartfelt subject of the lyrics, for example the frustration of 'delicate' with strong rising string cords, but also a chilled slow guitar lick during the more thoughful verses.
Damien is clearly a loely Irish boy, but this does not translate to the very heavy lyrics of someone like Sinead o'Connor. A cello frequently compliments his music, and is almost like another vocalist in 'volcano.' The songs often are like dialogue between two people, saying the same thing to one another, but not really listening to each other.
My favourite tracks are 'The Blower's Daughter' which then flows into 'Cannonball.' Everything on these tracks sums up the best parts of the album. The great emotional feeling is there - "I can't takes my eyes off you / I can't take my mind off you / Till I find somebody new."
This then moves into a slightly more upbeat guitar lick of 'Cannonball.' Here he laments a past girlfriend he no longer has with him, and is confused by the subsequent relationship. This moves into a triumphant chorus in which he describes what he has learnt - "Stones taught me to fly / Love it taught me to lie / Life taught me to die." The contradictions of wht each experience are obvious - "so come on courage teach me to be shy.
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31 of 32 people found the following review helpful By "whatever123454321" on 9 July 2004
Format: Audio CD
I'll be straightforward first off while reviewing this album - it's great. It's sheer brilliance. In this seemingly shallow world of music, here comes Damien Rice to save it all - separating himself from his contemporaries through the use of a wide instrument array, from delicate strings to piano; from acoustic guitars to clarinets. A superstar in the UK, this Irish singer/songwriter packs a heartfelt punch into his blissful, beautiful debut, simply titled "O".
Now there is of course that inevitable comparison to Jeff Buckley and David Gray... it's just too obvious not to be noticed. Like Gray, Rice recorded this in his bedroom because he claims he "doesn't like a commercial feel to his music." Rice twists many emotions into one in his music, and at parts of the disc you can almost hear the tears in his voice, most notably in the song "Older Chests". The strings at the end of "Amie" are something awe-inspiring, indescribable. And the line "I can't take my eyes off of you" in "The Blowers Daughter" could possibly be the most helplessly romantic thing said in music this whole year.
Rice chooses to add a bit more penache to his disc with the addition of a female backing vocalist- the harmonizing and intertwining of their voices are irresistible. Musically, he seems to be exploring all aspects of being in love- the warmness, the intimacy, and most notably, the heartbreak, with the second part of the disc focusing mainly on the heartbreak. The song "I Remember" is almost like the female in the relationship's response to Rice's sad lyrics in "Cold Water". But in the middle of the song, Rice comes back for the emotional peak of the disc.
This record may be a bit too "Sleepy" or "Downbeat" for some listeners, but the whole atmosphere on the record is quiet, yet intense.
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