A generation ago this band would have been based in Leeds and played gigs with 'Red Lorry Yellow Lorry', 'The Sisters of Mercy', 'Alien Sex Fiend', 'Sex Gang Children', 'Bauhaus' and any other so called Goth band of the time. They would have been dying to put out a slew of classic 12" singles on 'Merciful Release' before putting out the full length album eponymous album on a major label and overdosing in a sea of pretence and speed bombs. To the band - Please don't do that because I think the best is still yet to come, if its done at your own pace.
This is a dark collection of songs for sure, but is also quite uplifting and affirming the way 'First and Last and Always' was in 1985 for the Sisters and 'Dawnrazor' was for 'The Fields of the Nephilim' in 1986. Yes they take their name from a bad Seeds song and there is a bit of his majesty 'Nick Cave' hovering over their sound but more in the guise of 'The Birthday Party' than the Bad Seeds, especially through the hidden track 'Lilly's Man'. I apologise for the over flow of name dropping here but if you are young and have just discovered this band and don't know where they are coming from then you could do no wrong by checking out those bands next.
'The Ruins' is the most evocative and immediate song on the album but every song is different and stands up in its own way. Not least for Tobi's voice. It is by no means a 100% complete masterpiece of an album but that is not a bad thing. This is an album that is going to grow and withstand repeated listens to get the full effect. The band are heading down the right dark alley and I for one look forward to the next album. They have captured the sound of the 'Batcave' club and hit the spot perfectly that 'The Editors' and 'White Lies' missed by a country mile. This is the real thing and the benchmark for a new golden dawn of dark fun. Watch this shadow.