Diane Solway has researched and written an altogether fascinating biography of Rudolf Nureyev, the dancer who changed classical ballet in the 20th century. He was born to a impoverished family in Russia and untimately died on his private island purchased with the millions he made during his dance career--a true-life rags-to-riches story. But it is so much more...
What a career Nureyev had! As a child he danced to provide an escape from the poverty of his youth. Almost forcing his way into Russian ballet schools, he astonished even his detractors by his grace and vitality. Solway recreates the scene of his defection from Russia in gripping detail. From that moment on, Russia's loss--which they tried hard to ignore, not even allowing Nureyev to see his mother until she was on her deathbed--became the West's priceless gain.
In the West this amazing young man turned into a human dynamo, insisting that contracts be written to allow him to dance every night rather than the customary once or twice a month. Solway follows his transatlantic crossings in dizzying detail as he dances one night in New York, the next night in Paris, and the following night at a festival in mid-Europe. He extended his career far beyond the usual span for a male dancer, eventually forming his own companies so that he could continue to perform. He insisted on learning the stylized awkward steps for modern ballet, and his name filled many houses for benefit performances with modern dance groups. He staged and choreographed many classical ballets, acted in motion pictures, and acted the part of the king in "The King and I" on stage. In his declining years, he learned conducting techinques, and led several European orchestras in concert programs.
My son gave me this book for my birthday, and included with it the video "Fonteyn and Nureyev." What an inspired gift! Words can go only so far in describing dance--even the words of the dance critics whom Solway generously quotes. Nureyev's partnership with Fonteyn is the stuff of legends! This unlikely pair--she supposedly near the end of her careet and he just starting his--packed houses and evoked hour-long curtain calls with their emotion-packed virtuoso performances so clearly evident in the video and convincingly described by Solway.
In this day and age we are fascinated by the details of the sex lives of celebrities. Here, too, Solway does not dissappoint, although almost everything she quotes is not from Nureyev's mouth but from companions who may perhaps put their own personal agendas ahead of the literal truth. Nureyev became a icon for the gay community, and some were angry that he did not use his death from AIDS as a beacon for their cause.
Whatever his motivation, here is the gripping life story of a man who was driven to accomplish more in his half-century of frenzied life than any of us could possibly imagine. I am immensely grateful for Nureyev's richly creative life and, as well, for Diane Solways carefully detailed account of it.