After three disappointing albums and numerous high impact lineup changes, Nude represents yet another facelift for Camel. However, this time the results are better, and this album is arguably Camel's best since 1974's 'Mirage'.
If you can imagine Pink Floyd, Vangelis and Supertramp collaborating together on a movie soundtrack, you're pretty close to what Andrew Latimer and co. have pulled off here. In fact, I would go as far to say that Nude is the album that 'The Snow Goose' should have been back in 1975.
A highly conceptual work, for the most part, Nude is instrumental, but the addition of selected vocals/lyrics, dotted throughout the material compliments the overall collection of tracks on offer. The atmospheric 'Docks' and the swashbuckling 'Captured' are the best instrumental efforts, with 'Drafted' and 'Lies' being the best vocal led numbers. Andrew Latimer's guitar work is effortlessly good, and the atmospheres, moods and pastel shadings he creates raise the musical standard of the album to a very high level, which is quite incredible considering the predominantly keyboard based sound on the record. Some of the sounds he manages to bleed from the instrument are quite amazing. He also contributes some outstanding flute work.
The only downsides on Nude are the amount of short 30 to 60 second tracks that link the longer songs. Also the lack of a real top quality drummer causes the rhythmn section to lack any real punch. Although the usually excellent Andy Ward plays on the album, it seems that the personal problems he was suffering at this stage of his Camel career were spilling over into his work.
However, these are minor complaints, and I would say that any fans of post Roger Waters Floyd will find lots to enjoy here. Nude is a great chillout album, best enjoyed with the lights dimmed and a good bottle of red opened.