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The brief, haunting section on his air force service confirms that Heller drew on his own experiences for Catch-22. But it's his boyhood home, Brooklyn's Coney Island in the 1920s and 1930s, that prompts Now and Then's best pages. You can practically taste the cheap ice cream and hot knishes, hear the shrieks of kids on the amusement park's hurtling rides, see the facades of long-demolished apartment buildings and smell the sand- and-salt odour wafting from the beach. The dignity and emotional reticence of Heller's widowed mother, the security he felt in an impoverished but safe immigrant neighbourhood, come to life just as vividly.
Scattered anecdotes about famous friends (including Irwin Shaw and James Jones) are also evocative, and occasional comments about his novels' themes reveal Heller to be a better self-critic than most writers. But it's his affectionate tribute to a vanished New York that most clearly displays this popular author's narrative skills and engaging personality.--Wendy Smith --This text refers to an out of print or unavailable edition of this title.
Mr. Heller takes great pleasure in his success, his career, his recognition, and his accomplishments. He takes equal delight in his ability to use language with precision and erudition. The autobiography allows him plenty of opportunities to focus on all of these pleasing elements. To make this self-indulgence more palatable to the reader, he pokes a bit of fun at himself with gentle irony.
But all of this seeming self-indulgence is really procrastination to delay dealing with the painful parts of his life story. His father's death while he was young, and later exposure to the horrors of war in World War II left a deep stamp on his emotional make-up. The book describes an important catharsis as Mr. Heller identifies what he learned from psychoanalysis and the pscyhological testing that his employers applied.
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