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22 Jan 2010 | Format: MP3

6.49 (VAT included if applicable)
Buy the CD album for 15.32 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
1
2:51
2
4:08
3
4:12
4
2:50
5
5:21
6
4:46
7
3:31
8
3:44
9
6:54
10
5:59
11
3:37
12
3:13
13
4:06
14
4:52


Product details

  • Original Release Date: 22 Jan 2010
  • Label: Framptone Records
  • Copyright: 2010 Framptone Records
  • Total Length: 1:00:04
  • Genres:
  • ASIN: B0037NW27G
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: 50,184 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

4.2 out of 5 stars
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Most Helpful Customer Reviews

20 of 20 people found the following review helpful By A Customer on 2 Jan 2004
Format: Audio CD
It has been nearly 10 years since Peter Frampton’s last studio album, and it is unfortunate that we have had to wait so long for it to materialise. Though this ‘comeback’ album is a good effort of the standard we are accustomed to from Peter, it is hardly the ‘magnum opus’ that one might have expected after a decade’s virtual silence. The sound of the album is quite basic and stripped-down, being essentially loud electric guitars (or ringing acoustic guitars), bass and drums, with subtle keyboard textures, the band being the same as that featured on Frampton’s 1999 ‘Live in Detroit’ concert album – Bob Mayo from the 1976 ‘Comes alive’ album, John Regan (another longstanding Frampton associate), and Chad Cromwell the regular drummer with Mark Knopfler. There is little of the synthesizer overdubbing previously used on albums such as ‘I’m in you’ and Frampton’s 1994 studio album; the sound is very much that of the live band, but performing in the studio.
The songs are typical Frampton – mostly not particularly memorable at first hearing, but pleasant enough to grow on you when heard several times. Stylistically the album covers Peter’s usual territory of acoustic guitar ballads and heavier R&B influenced rock, and listeners hoping for much innovation or experimentation would be disappointed – this is standard Frampton material, and though it is done well one can’t help wondering why it took so long for the record to be completed.
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6 of 6 people found the following review helpful By Kevin Harmon-Smith on 20 Mar 2004
Format: Audio CD
A new studio album has been a long time coming from Mr Frampton and there is some great material here for melodic rockers to enjoy.
Mr Frampton always had, and still has, a God-given gift for expressive lead guitar. Check out the jazzy Mia Rose track. The Framptone sound still sounds as great as it did on the 1970s Frampton Comes Alive set. He plays a blistering beautiful “While my Guitar Gently Weeps” with a fantastic intro humming out from those Les Paul Humbuckers.
As guitar tracks go, “Greens” is my absolute favourite which mirrors the great creative writing partnership Peter had with the now late Bob Mayo.
Some of the tracks take a little time to grow on you, but the man has done his time, eaten his greens, and is back in fine form producing some gorgeous music. Great to have you back Peter!
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2 of 2 people found the following review helpful By Mr. K. C. Brook on 13 Feb 2010
Format: Audio CD Verified Purchase
Bought because of the great cover version of "While My Guitar Gently Weeps", I sat back and enjoyed every single track including possibly the weakest song "Cleveland". A tad overpriced - but if you want it then you'll buy it!
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2 of 2 people found the following review helpful By A Customer on 5 Nov 2005
Format: Audio CD
It has been nearly 10 years since Peter Frampton’s last studio album, and it is unfortunate that we have had to wait so long for it to materialise. Though this ‘comeback’ album is a good effort of the standard we are accustomed to from Peter, it is hardly the ‘magnum opus’ that one might have expected after a decade’s virtual silence. The sound of the album is quite basic and stripped-down, being essentially loud electric guitars (or ringing acoustic guitars), bass and drums, with subtle keyboard textures, the band being the same as that featured on Frampton’s 1999 ‘Live in Detroit’ concert album – Bob Mayo from the 1976 ‘Comes alive’ album, John Regan (another longstanding Frampton associate), and Chad Cromwell the regular drummer with Mark Knopfler. There is little of the synthesizer overdubbing previously used on albums such as ‘I’m in you’ and Frampton’s 1994 studio album; the sound is very much that of the live band, but performing in the studio.
The songs are typical Frampton – mostly not particularly memorable at first hearing, but pleasant enough to grow on you when heard several times. Stylistically the album covers Peter’s usual territory of acoustic guitar ballads and heavier R&B influenced rock, and listeners hoping for much innovation or experimentation would be disappointed – this is standard Frampton material, and though it is done well one can’t help wondering why it took so long for the record to be completed.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
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