Library of America's Philip Roth: Novels and Other Narratives 1986-1991 collects two novels -- The Counterlife and Deception -- and two nonfictionish books -- The Facts and Patrimony. Roth's earliest work in books like Goodbye, Columbus and Letting Go showcase a gifted apprentice writer grappling with his masters, as far as I can tell mostly Henry James. His first big commercial success is Portnoy's Complaint, in which he abandons clockwork prose for rip-roaring dramatic monologue. To my taste, the books that immediately follow Portnoy -- Our Gang, The Breast, and The Great American Novel -- show a writer with sufficient power to do whatever he wants in the act of squandering his time and talent on farcical stuff that doesn't add up to much. But then something happens. Roth pens Zuckerman Unbound, a trilogy and epilogue of metafictional novels featuring Roth doppelganger Nathan Zuckerman. Roth is still not afraid to transgress, but now it's to more serious ends, and the work still holds up today. Novels and Other Narratives 1986-1991 represents the period immediately following Zuckerman Unbound. Here we see the beginning of Roth's transformation from literary provocateur to literary master in The Counterlife, and from aging adolescent to grownup in the nonfiction narratives, particularly in Patrimony, which is a forthright wrestling with his father's death. These books prefigure Roth's greatest achievement, the run of Sabbath's Theater, American Pastoral, I Married a Communist, and The Human Stain, the first two of which might likely be the most accomplished works of fiction of the century's last twenty-five years. Reading them together and in order for the first time, in addition to being a deeply pleasurable experience, has been an education in how a good writer teaches himself, mid-career and book-by-book, to become a great writer.