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Nothing but Ghosts [Paperback]

Judith Hermann
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

4 July 2005

The brilliant second collection of stories from Germany’s answer to Zadie Smith. Judith Hermann’s first collection, ‘The Summer House, Later’, sold 250,000 hardbacks in Germany, and was shortlisted for both the IMPAC award and the Independent Foreign Fiction Prize.

Judith Hermann's first book, ‘The Summer House, Later’ was described as ‘a book about a certain kind of young woman, trying to get a boyfriend, to get some fun out of life, but with a sense of melancholy and a sense of loneliness that seems to define a generation’.

Now in Hermann’s second collection, ‘Nothing but Ghosts’, that generation has moved on, grown up perhaps, and the women have indeed found boyfriends but the relationships, described here with painstaking honesty, are all on the turn in some way and have passed their first flush of romantic love. We join many of these characters just as they have stopped communicating; the talking has stopped and the women, with their lives in stasis, have become watchful and disappointed and are starting to turn their gaze elsewhere…


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Product details

  • Paperback: 272 pages
  • Publisher: Fourth Estate (4 July 2005)
  • Language: English
  • ISBN-10: 0007174551
  • ISBN-13: 978-0007174553
  • Product Dimensions: 21 x 13.4 x 2.4 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 837,324 in Books (See Top 100 in Books)

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Review

‘Hermann is a reserved and careful writer…Several stories here throw up moments of startling clarity.’ Metro

‘A fascinating writer who, in the short story, had found the perfect form.’ Independent

Praise for ‘The Summer House, Later’ (2001):

‘A daringly lyrical collection.’ Oprah Magazine

‘An elegant and perceptive reading on the emptiness that fills our lives. Its author is a master storyteller.’ Independent

‘A collection of striking distinction and poise. Some of the stories touch on brilliance. She can rival the best contemporary exponents of short fiction. Exceptional.’ Sunday Business Post

‘Tales of impressive quality and formidable originality.’ Sunday Times

‘Cool…told without sentimentality, drawing power from the precision of the language and from a laconic style that narrates but refuses to explain.’ TLS

Michael Arditti, Independent

'Hermann is a fascinating writer who, in the short story, had found the perfect form...'

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Most Helpful Customer Reviews
5.0 out of 5 stars Best short story writer alive 8 Sep 2012
Format:Paperback|Amazon Verified Purchase
I love Judith Hermann's stories so much. I have been reading short stories all my life, but none are so deep, so profound, so haunting like Judith Hermann's.
Please read if you like Raymond Carver or Alice Munro or just if you have a beating heart in your chest.
You won't regret it.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.0 out of 5 stars  2 reviews
4.0 out of 5 stars Feelings of not belonging explored... 7 Mar 2009
By I. Holder - Published on Amazon.com
Format:Paperback
I bought this after seeing the excellent German film of the same name.

While the main characters are females, I could identify strongly with the themes of this book: the feelings of not belonging, feeling out of place, searching for 'home', having trouble communicating with those closest to you... Fascinating stories and fascinating characters
4.0 out of 5 stars Stylish indeed 13 July 2007
By Dragana Djordjevic-Laky - Published on Amazon.com
Format:Paperback
Hailed as the sound of a new German generation, Hermann's style of short-story telling, as first showed in "Summerhouse, later" was quietly ground-breaking: Focus on the circumstantial, leave the important unmentioned. In her highly anticipated (and likely major performance-anxiety-inducing) sophomore effort, she defied the odds for young shooting-stars in the cranky German literary scene and produced a collection far superior to the first. The stories are longer (criticized by some, though to me every sentence was added value), the storyteller more cosmopolitan, the tone even more captivating.

Whenever there is something unique, it is bound to become the subject of imitation. So it has happened to Judith Hermann, but she can continue working without fear: The shtick definitely doesn't work for many, but it does for her.
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