Sting's second studio album overall does not live up to the strengths of his first, but has many glittering gems nonetheless. Its sun in its title largely reflects past and present glories rather than illuminates future vistas. There's no doubting the strengths of the supporting session artists, many of which were used on the previous album. But this is quite a self-indulgent album. Opportunities have been wasted, and the production is a little disappointing. But I do not want to appear too negative: this is a very good album, beating many of his contemporaries hands-down with its subtle arrangements and thoroughbred lyricism.
So what of the songs themselves? The least appealing to me are the opening track "The Lazarus Heart"; the reggae "History Will Teach Us Nothing"; the Latino-edged "Fragile" (a good feel to the song but an uninspiring arrangement, despite the truth of lyrics such as "Nothing comes from violence and nothing ever could"); "Straight To My Heart" (complex but ultimately tedious rhythms and Sting's voice too far back in the mix); the hackwork "Rock Steady" (too steady - I'm bored now); and the limp, bland, unfinished closing track, "The Secret Marriage".
For me, the gems are "Be Still My Beating Heart" with its insistent rhythm and atmospheric piano; "Englishman In New York" with its pizzicato string beat and meandering high sax; the strangely hollow and colourless, yet moving "They Dance Alone" ("One day we'll dance on their graves": in the intervening twenty years time has been thankfully kinder to Latin America); "Sister Moon", an intimate but sparsely-produced song enhanced by a wailing saxophone; and "Little Wing", written by Jimi Hendrix and played with the Gil Evans orchestra. Of Jimi Hendrix I knew, of Gil Evans I did not - which may explain a lot - but what a wonderful change in atmosphere, with guitars, keyboards, sax, all so strangely beautiful; it was a shame to fade out so early.
I think much of the problem with this album is down to the sparse production sound. This is highlighted for me by the one track with a different producer (Bryan Loren instead of Neil Dorfsman), namely "We'll Be Together". Here there is an immediacy of sound that is more urgent and more active. If only the whole album were the same.
Still, I'm not complaining (much) and am happy to give this album the four stars it deserves. By the way, Sting, if you're reading this, "History will teach us ..." EVERYTHING!