Timewarp Alert!!! I remember the first time I heard
Mr Bell sing. It was Erasure's 1986 Top Of The Pops
debut performing 'Sometimes'. (I still love that song!)
The dancing was decidedly dodgy but the voice was good.
Almost a quarter of a century later and it's still in
splendid shape. Immediately recognisable and solid as a rock.
On 'Non-Stop' Mr Bell has teamed up with Belgian producer
Pascal Gabriel who has a fine pedigree when it comes to the
noble history and finer points of vibrant electro-pop.
There are ten songs in the collection; nine of them
Bell/Gabriel collaborations and one written by and featuring
Perry (ex-Jane's Addiction) Farrell. It's all good stuff
if this is the kind of stuff that you like - and I do.
'Non-Stop' relies on technology more than Mr Bell's last
outing 'Electric Blue' (2005) but still has soul.
Opening track 'Running Out' is a good example of how
to inject some good feeling into an otherwise rather
chilly arrangement. The uplifting chorus bursts out of
the biddley-diddley synth ostinato underpinning the harsh
vocal treatments of Mr Bell's voice in the verses like
a ray of sunshine breaking through a November cloud.
'Will You Be There' is another corker! (The song would not
have sounded out of place on Sam Sparro's eponymous 2008
debut album). It's the kind of infectious number which
lends itself to waving one's hands in the air mindlessly!
Mrs Wolf and I gave it a go and I tripped over the ironing-
board, which she thought very funny. I have a sore paw!
There are less rumbustious moments however. 'Slow Release' plods
along at a decidedly pedestrian pace. Truth-be-told it's one of
the album's weaker moments but the tinkly keyboard decorations
are pretty enough and Mr Bell's "Woah-Wo-Whaaa" vocal punctuation
is nicely old-fashioned in an 80's kind of way.
Title track 'Non-Stop is much more like it! The big splashing
beat recalls some of Bronski Beat's finer moments and 'DHDQ'
("Debbie Harry Drag Queen" apparently!) is an absolute hoot!
Final track, Mr Farrell's, 'Honey If You Love Him (That's All
That Matters)' is perhaps the album's finest moment. Epic,
wide-screen, technicolour, anachronistically trancendent disco
of the very best kind. Down-and-dirty and deliciously dark!
Dig out that MA-1 jacket, white T-shirt and 501s and boogie!
(Gasp!)