A certain amount of hype seems to have surrounded Suicide Silence since their first album The Cleansing (2007) debuted at number 94 on America's national album chart, the Billboard Top 200. An admirable feat indeed for a death metal band and for this much maligned subgenre called deathcore. Maligned, it would seem mainly in the eyes of death metal purists, I may add. Perhaps as a result of this publicity No Time to Bleed (2009) their second full length debuted at number 32 on the aforementioned album chart. So with the numbers game dispensed with, is the music any good or is their heady album sales just the result of mosh crazy, middle class American teenagers getting a bit carried away?
Well, as much I would prefer to show a certain disdain for these young upstarts, I'm afraid the music here is just formidable and of a very high standard indeed. While the band (in interviews at least) seem to want to distance themselves from the deathcore tag it is surely a retrograde step because, in this reviewers opinion, their music just typifies how quality deathcore should be played, and surely establishes them as ahead of the chasing pack in this genre. Indeed a parallel can be drawn with another much hyped deathcore act; Oceano, who while they are no doubt sonically brutal, lack the musical dexterity and creativeness that Suicide Silence possess on this album. And what of the album as a whole then?
While this music is not to everyone's taste and its sheer abrasiveness is well removed from the more structured dynamics of traditional death metal, this album is just skull crushing and harsh in the extreme. Most tracks comprise of rapid, precise tempo changes in both riffs and percussion which is a hallmark of this genre. While this does break up the speed and continuity of the music, it showcases fluidity in song structure and highlights the subtle nuances contained within. The guitar playing fluctuates from subdued melody to crushing stop start hammer blows without being buried under a writhing frenzy of musicianship just for the sake of it. The vocals veer from guttural to screeching in a nano second compliments of the versatility of front man Mitch Lucker. The band must be commended for their competent playing and the no holds barred conviction of their bracing musical assault on this album, which is a huge progression from their debut. As stated this type of death metal is not for everybody. But if you are curious as to how far the proverbial death metal envelope can be pushed you could do worse than this very solid platter of aggression. This may or may not be the way forward for death metal but if you are looking for music that balances the fine line between raw extremity and almost rugged accessibility then look no further than Suicide Silence